We made it! This is my last details post of my eco couture collection that I designed, drafted, and sewed for the Future Oceans Fashion Show that was held in Victoria, BC on Canada Day (anyone sick of hearing about this event yet?).
If you want to read and see more about the event and the other garments that I created for it, you can check it out here.
For the sake of not repeating myself a million times and making each post longer than necessary, I'm going to assume that you know about Future Oceans and go straight into talking about the last two garments in my little collection.
The first dress I'm going to talk about today is the first dress that I actually created for the show. I designed all of the dresses in the winter, but I didn't start patterning or sewing any of them until May.
I'm not sure if I was procrastinating or if my reasoning is solid, but I chose to avoid creating any patterns until I got the fabric in. I bought my fabric from a sustainable material brand that is run out of Canada, but it still took a bit for the fabric to arrive. It was insanely exciting when it did come in, and I was hit with lots of inspiration to pattern draft after I saw it.
The 1960's dress was an easy pattern to make, which is why I started with it. I wanted to ease myself in a bit, and this was a great way to do it. It was also pretty simple to sew, since it's such a simple silhouette.
This dress is made out of organic cotton sateen (for the yoke. This is the same sateen I made the 1940's dress out of) with a sustainable linen. This linen is so floaty and wonderful to prance around in. The entire dress is lined, and it features pockets hidden in the side seams. The linen is hand stamped, like almost all of the other garments in my collection.
I was inspired by trapeze dresses from the 1960's. It was an added bonus that this shape of dress is very easy to fit to different shapes and sizes, so it was very easy to find models to fit it for the show and the photoshoot the next day.
I used to hate 1970's fashion. I can now admit that I absolutely love it now. Blame Wes Anderson.
Opposite of the 1960's dress, this is actually the last dress that I made for the show, and it was designed about 5 minutes before I made the pattern for it. The original collection was supposed to start at the 1930's and go to the 1960's, so this dress and the 1920's one were last minute additions when I realized that I had extra time and material on my hands.
This dress was quick, dirty, and fun to make. The drafting of the pattern was relatively easy and so was putting it together. Printing the pattern on it was tons of fun as well since I got my mom to make me a special stamp for it (my mom is the one who creates all of the stamps that I use to print my fabrics). The pattern is paisley and turtles in a coral on blue cotton gauze. I loved working with the fabric when I used it for the 1950's dress, and it takes fabric ink really nicely.
When I thought about making a dress inspired by the 1970's I was torn between making a maxi or a mini dress. The choice was made purely out of convenience in the end - I wanted it to have puffy sleeves, and if I wanted enough fabric to make that it had to be a mini.
I had so much fun making this dress, and I'm thrilled with how it turned out.
Both of these dresses are currently for sale at the Future Oceans Boutique at the Victoria Bay Center and online at the Future Oceans website! You can order either one of these dresses or a skirt (check them out here) and get it made to your measurements!
Thank you for your support!