The day has finally come that I can talk about the Future Oceans fashion show and the pieces I made for it! I have been waiting as patiently as possible to show what I've been working on, and I am so excited to show the pictures that I have from this weekend.
There were some incredible photographers at the event as well that I will be showing photos from as soon as I am able to.
Before I talk about my designs at the time that I spent in Victoria, I want to talk about the reason for this show. Future Oceans partnered with the Victoria International Marina (where the show was held), Natural Talent Alliance, and the Ocean Legacy Foundation. The point of the show was to give a platform to ocean conservation in the fashion industry. The fashion industry is the second largest polluter, and by bringing attention to it and giving people an alternative we are taking the first step to turning the Fashion Industry into something that is more earth friendly and thoughtful.
Learning about how terrible the fashion industry is on the environment was making me lose my faith in something that I really love. Being a part of this helped me get excited about it again.
I hope that this show will help in getting people and brands to think twice before choosing certain fabrics
The event started on Canada Day with the ribbon cutting for the Victoria International Marina. There was live music, performances by the Nanaimo Contemporary Ballet, and the fashion show.
We had so many incredible people working together to make this a reality!
I created 6 Eco Couture pieces inspired by different eras and 1 Art Dress. The Art Dress was created from garbage that was fished from the ocean. The Eco Couture pieces are all created from eco friendly fabrics from KenDor Textiles, a Canadian company that specializes in environmentally and socially responsible fabrics.
I will wait to talk about the design process of each of my pieces for when the photos come back and you can actually see them in detail (all of these photos are just from my phone), but for now, here are some travel pics!
I was in Victoria for 3 crazy, hectic days that were filled with fittings and photo shoots. The first day I spent almost entirely at the Marina (which is a stunning building) getting ready for the show. We had an amazing lunch at Spinnakers (Canada's first microbrewery), and spent the rest of the day planning and prepping.
We were housed in the most amazing Bed and Breakfast called Abbeymoore Manor. It's an old house with beautiful rooms, the best breakfast I've ever had, and really friendly staff.
The next day that I was there was Canada Day, meaning the day of the fashion show! I've been working on this for 6 months, so it was like a dream to be there.
Luckily enough, the designers weren't needed until noon so I had all morning to myself. I ended up going for a walk to the Craigdarroch Castle, which was a 5 minute walk away. The castle was built in 1890 by Robert Dunsmuir, who passed away before it was finished. His wife, Joan, lived there until her death in 1908. During WW1 it was used as a military hospital, and after that it was used as a College, Conservatory, School Board, and now a museum.
We were able to use a beautiful yacht, the Ascente, as our backstage. They were extremely generous with us and the space was the nicest backstage that I have ever worked in. This was definitely a trip of a lifetime.
The last day that I was there was photo shoot day! And boy, did we have some really incredible places to take pictures in. While a group of people went to get photos at the ocean, I went with another group to the Government House. I can not wait to get all of the photos back from the 2nd because not only are the photographers fantastic, but the locations were some of the prettiest places I've been to since Germany.
The last location of the day was Hatley Castle, which some of you may recognize from movies such as X Men and Deadpool. Everyone here was also so accommodating for us and we were able to go everywhere on the extensive grounds to get photos.
If you aren't from Canada, you might not understand how exciting it is to find 2 castles, but in Canada it is very rare to have such old and beautiful architecture.
I can't wait to show you my pieces in better detail, but in the meantime I hope you enjoyed a bit of a behind the scenes of my time for the Future Oceans Fashion Show!
I have always enjoyed stopping in Nanton, Alberta as a kid when we were in the area. They are a tiny town with the best antique stores, and my favourite has always been Sentimental Journey Antiques. They are connected to Iron Crow, which is where I got my photos for last years Fall collection.
The building has a very interesting history- it was first opened in 1909 as a hardware store. The upper story was used as a meeting and social hall for different groups in Nanton. It changed hands in 1935, and the new owner added more items in the store and converted the top story into apartments. Pretty quickly after that, the building was used for officers residence during World War Two - there was an aircrew training base close by.
I have always fantasized about living in one of the beautiful upstairs apartments, and learning about its use during the war made me love the quaint rooms even more. I still daydream about where I would put all of my furniture in the apartments if I were lucky enough to live there. We took all of our photos in our favourite rooms in the building upstairs.
The clothing that I am wearing in these photos are the lower torso garments that I made last semester in school. The pants are a 1940's inspired pair of trousers with a yoke, pockets, and front pleats. The skirt is a faux-wrap with a side zipper and a pocket on the other side. It is fully lined with a brown striped lining. Both of the garments are made using %100 wool.
I did not make any of the tops that I am wearing, all of them except for one are from Aerie (and they are all incredibly soft and comfortable). The WAC shirt is from a fundraiser for the SoCal WAC's.
My mom and I started watching Peaky Blinders this summer, and we are absolutely Loving it! The music, cinematography, costumes, and the actors (who doesn't love Cillian Murphy?) are all fantastic. I have always had an interest in the dark side of history (you can read more of my posts about dark histories here), so it was a natural response to the show to research the real Peaky Blinders.
The Peaky Blinders were a real gang in Birmingham before and during WW1. They were set apart from other gangs because of how nicely they dressed- often in nicely tailored jackets, waistcoats, and peaked flat caps. They started in the slums in the 1890s, and organized themselves into a gang that had a certain amount of political and social control. Unlike the show (warning: spoilers ahead), the gang was taken down in the 1910's by a gang lead by Billy Kimber, called the Birmingham Boys.
Another thing that the Peaky Blinders were known for is sewing a razor into their caps. The criminal profiler and historian, John Doulgas, believes that the caps were used as weapons for most members. The name of the gang is believed to come from how they would cut peoples foreheads, temporarily blinding them with their own blood. The name could also come from the slang of a Blinder being a well dress person. Where the name came from is a bit of a sensitive subject for historians- Carl Chinn (a professor with an MBE in English history) is a firm believer that the razor idea is a myth.
Most of the members of street gangs in the late 1800s were between the ages of 12 and 30. Later on, these groups started to create a pecking order. The 'leader' of the Peaky Blinders was a man called Kevin Mooney, though his real name was Thomas Gilbert. They often had land battles with another gang in the area, the Cheapside Sloggers. By the late 1890s, the Blinders were expanding their expertise, going into protection rackets, fraud, bribery, smuggling, bookmaking, and many other illegal pursuits. They were less of an organised crime group and more into street fighting and robbery. After almost 10 years of owning the streets of Birmingham, they attracted the attention of the Birmingham Boys. When they got greedy and made their way into the race tracks, the Birmingham Boys put a stop to the gang. The families in the gang mostly left for the country, distancing themselves from the other, larger gangs. There was more than one reason that the gang disappeared, however. The police got stricter with the gangs at the time, and the social circumstances were starting to change around this time as well- especially once the war started.
I have had so much inspiration from the costumes on the show, and after looking at the actual gang members I see why the costumes are so interesting! My outfit is a mens shirt from Van Heusen, my Bomb Girl Trousers, and DSign Step shoes. The photos were taken in Calgary, in one of the oldest areas of the city. These houses are Edwardian Row houses, called the Fairey Terrace, and was inspired by Victorian row houses in London.
If you would like to learn a little bit more about Fairey Terrace in Calgary, click here. If you would like to learn about the real Peaky Blinders, there is a fantastic video featuring Professor Carl Chinn here. Carl Chinn also has a book about them called The Real Peaky Blinders. You can also read the book that the costume designer and hair department used for the show, Crooks Like Us by Peter Doyle. It has pictures of actual criminals from the time, and is a fabulous reference book.
Thanks for reading!
I was recently gifted these amazing German pattern magazines from the 1950s, and they have proven to be not only great inspiration, but they have also helped me learn about pattern making!
I have been learning the basics of pattern making at school, and so far that has been one of my favourite classes! It is so satisfying to make a garment that is exactly what you pictured and that fits you perfectly.
These magazines are called 'Beyer Mode', and they include tons of pictures of the possible garments that you could make, a horoscope page (there is nothing better than reading horoscopes from 60 or 70 years ago), as well as tips for sewing and taking care of your home. There are also sometimes recipes in a few of the magazines that I am very curious about!
Here are some of my personal favourite pages from the magazines:
Which is your favourite? Do you prefer the fancy dresses or every day ones? Or the lingerie?
I don't think that I have a single favourite in all of the issues, I want to make all of them!
I absolutely love the movie The Man From U.N.C.L.E. from 2015, and I especially love the costumes. The character Gaby, played by Alicia Vikander, has the best trendy 1960s outfits throughout the movie, along with fantastic hair and makeup. After seeing the movie a few times (like I said, I very much so enjoy this movie...), I decided that I needed to make myself a dress like hers. I ended up finding a fantastic vintage pattern by Simplicity, and decided to do a classic coloour block for this dress. I chose green and white because of this dress that she wore in the movie.
I also wanted to make this dress because of my growing interest in the Cold War. After going to Germany last year and seeing the Mauermuseum (at Checkpoint Charlie), I learnt so much more about the era after WW2, and it made me even more interested in not only the politics of the time, but also the fashion. I also recently found tons of olds family photos of my grandma in the 60's and 70's, and she wore so many beautiful dresses! My grandmother was very trendy, so she was always wearing the newest style! She has tons of photos in Go Go boots and mini skirts.
The Cold War is a very interesting (and scary) time, and I was especially interested in learning about the Berlin Wall. The Mauermuseum also has a fascinating history since it was actually set up very soon after the Wall was built. Founded by Dr Rainer Hildebrandt, he thought that it was important to talk about the non-violent fight for human rights. He chose to talk about that directly beside an affront to human rights. The museum grew as the Wall stayed up, and has been updated to include what happened after the Wall fell, as well as more recent genocides and affronts to human rights.
The museum has many artifacts such as cars, a hot air balloon, and a mini submarine, that show how hard people worked to get rid of the wall, and to get around (or through) it. Many people helped East Germans escape to the other side, and there are so many brilliant stories.
The building of the wall started on August 13th of 1961 by the GDR (German Democratic Republic, which is East Germany). The people living in the GDR had been revolting for a long time. At the end of the WW2, the US, Britain, and the Sovient Union split Germany. The country was split into 3 zones with Berlin in the Soviet section. Berlin was also split into zones, with the US, UK, and France taking the West side of the city and Soviet troops controlling the East. When the tensions arose between the countries, the Soviets decided to block off the roads, rails, and water access to West Berlin. Starting in 1948, they hoped that the other countries would be forced to give their section to the Soviets. The response by the UK and US was to airlift food, fuel, and water into Berlin from airbases in Western Germany. At the height of the airlift, planes were landing every 45 seconds at the Templehof Airport. By 1949, they had won this crisis and the blockade was lifted. In 1953 the people of East Berlin had a revolt that was stopped with Soviet tanks. The Soviets struggled to keep their side of Germany because of their cruelty and lack of supplies (East Germany was starving).
Checkpoint Charlie is the most widely known checkpoint between East and West Germany. Many demonstrations were held there, and there were many successful escape attempts there. While the wall was up (between 1961 and 1989) more than 5000 people escaped across the Berlin Wall. The longer the wall was up, the harder it was to cross. One woman was smuggled out in the seat of her boyfriends vehicle (the cut a hole for her to sit literally inside the seat, and she almost suffocated in the small space). People also got through in speakers, over on hang gliders with a Trabant motor, with hot air balloons, as well as under in tunnels. The most successful break through was in a tunnel when 57 people made it through in two nights in 1964.
There were also many unsuccessful attempts, and many people died trying to get to West Germany. In 1962, a man named Peter Fechter bled to death. He was shot by Soviet guards and after 45 minutes of agony with no help, passed away beside the wall. This started a huge protest when onlookers could see and hear him, but were unable to help because he fell onto the wrong side of the wall.
I think that this is a hugely important part of history to learn about, especially since it is so close to us (the wall was only taken down on Novemeber 9, 1989).
To learn more about the Wall and its history, the website for the Mauermuseum is here. You can also hear more about the Berlin Airlift through this website here. Some other movies and books about the era that I found very interesting are Bridge of Spies (with Tom Hanks), Stasiland: Stories from Behind the Berlin Wall by Anna Funder, Wings of Desire (released in 1987), and The Spy Who Came in From the Cold by John le Carre. If you have any more to add to the list, let me know!
The photos are taken at the Wonderland Sculpture (which us locals call the Big Head... creative, I know) outside of the the Bow Building.
Every summer we go to Heritage Park. If you haven't been there before, it is a Living History Museum in Calgary, Alberta. It gives lots of information about Albertas, and Canadas history, and you get to go through different buildings from the area. Most of them are from the late 1800s and early 1900s (since Canada is such a new country, they are pretty much the oldest buildings in this area). Heritage Park has been my favourite place since I was very young, and I always wanted to work there (dress up and talk about history all day? That was the dream!). Growing up has actually made me love going there even more, mostly because I know more about the era than I used to.
This time we decided to get some photos of something that I have made before. I didn't have anything new that suited the surroundings, but I did tailor my 1930s skirt a few months ago and never got photos of it. It fit me okay when I first made it (it was actually the first piece of clothing that I every made), but it was quite a bit too big at the waist, so I took it in about 3 or 4 inches. I wear it so much more often now that it fits nicely, and I am so glad I took it in! The 1930's is one of my favourite eras of clothing for everyday wear, so its great to have another piece for my closet.
The train section of the park I have never seen before- there is an area with a few train cars that you can walk through, and this was our first time seeing them! There is an amazing train museum in Cranbrook, BC that I went to when I was quite a bit younger and it fed my fascination with train travel in the 1800s-mid 1900s.
Canada has a pretty different history to many other countries, especially European ones. Before the Europeans, the First Nations were here. We don't have much left over from the First Nations because of the Europeans (just like the US). Because the country is so new, the oldest buildings here are the types that would be called retro in Europe. Our history is very much the Wild West that you see in movies. I have always found this fascinating because as a kid I wanted very badly to be a cowgirl. I loved growing up in a ranching and farming area. We still have the Calgary Stampede, which was started in 1912. We also had Nellie McClung, one of the Famous 5 (suffragettes, politicians, and social activists), living in Calgary, and her house now stands in Heritage Park. Emmeline Pankhurst actually came to visit her in Edmonton!
I used to be quite disappointed about our lack of history in Alberta, but over the years I have learned that we have a fascinating history that is not talked about enough. There were so many interesting people who did important things that either lived or came through this area, and many major events happened in just a few hundred years.
After making my last dirndl (made using this pattern), I liked wearing it so much that I decided to make another, just with a few different details.
The print is my own on muslin, three different owls with a navy fabric ink. There are so many beautiful dirndls, with different necklines, skirt lengths, and trims. One of my favourite trims is box-pleated ribbon, so I decided to do that one this one. I also took away the bottom ruffle, the sleeves, and shortened the skirt a bit. I decided to take the sleeves off to give the option to put blouses under (very common in classic dirndls so you have the chance to change the look, as well as make sure that you don't have to wash the dirndl too often, just the blouses). At some point I would like to make a lace blouse to put underneath as well.
I also made an apron to put with the dirndl. I chose a wide ribbon that matched the one on the neckline for the waistband, and cartridge pleated quilting fabric. Cartridge pleating is one of my favourite ways to gather fabric, I love how much volume it gives as well as the way it looks (very neat and tidy!). I based this dirndl off of many examples that I saw while in Germany.
When visiting my family in Wettmar, they had a video of the people living there in the 1950's. The video was just a home video of real life in Germany in the 50's and 60's, and lots of the ladies who were doing yard work and house work were wearing dirndls! There was tons of variety of fabrics and styles that they wore, and every age wore them (except for some of the fancier girls who were wearing pencil skirts and heels). I loved this, and wanted to make a bit of a contemporary version for myself by making my own print.
The interesting thing with dirndls is that they can be used in every circumstance. For every day work, the sleeveless ones are great so that you can have multiple plain blouses with different sleeve lengths to wear with it. That means you don't wash the dress as much, so it lasts longer. Blouses are easier to wash and cheaper to replace. The aprons are also a good way of being able to wear the dress multiple times. In fancier situations (even weddings!), they are able to use lavish silks and brocades, put on nice trim (including embroidery), and wear lace blouses or add fancy sleeves. They also lower the neckline and either shorten the hem, or make it floor length. They also add beautiful silk or lace aprons.
Since I wanted mine to be better for every day, but still be able to dress it up, so I made mine out of muslin but made it sleeveless so it depends on what I wear underneath and what shoes with it to dress it up or down.
These pictures were actually taken at the industrial part of our city, funnily enough! As you can see, we live in a pretty agricultural area, so farms are sometimes right in the city. If you turn around, however, there are factories!
If you want to see some modern day companies who make beautiful dirndls, Lena Hoschek is well known for hers, and I also love this company.
Thanks for reading!
Since I made a Berlin collection after visiting Berlin this spring, I decided that I needed a Mexico one as well. This was a bit different however, since it wasn't as much inspired by the area I had been in as it was by the desert part of the country and New Mexico. The area where we live is very dry, and we are close to Drumheller, which is a desert type area. I was inspired also by Paraguay, which is where my grandparents are from. We recently visited my grandma and went through some of the old photos they had from Paraguay and when the first moved to Canada. I was inspired by my grandmas very trendy outfits from the 60s and 70s, so I based much of my collection off of that. I also based it off of All the Crooked Saints by Maggie Stiefvater, The Hour of the Bees by Lindsay Eagar, as well as Frida Kahlo and her clothing exhibit that was recently at the V and A.
Although my grandparents grew up in the same place (Loma Plata), they had very different childhoods. My grandpa grew up quite poor and started working at a very young age. Although he never finished his education, he was a brilliant man. He knew multiple languages and could take apart and put back together an engine as a kid. He drove around South America as part of his job. My grandma grew up in a wealthy family. I look quite a bit like her when she was my age.
This collection was inspired mostly by 50s and 60s fashion, and was made entirely out of linen and cotton to keep cool. I used a few Vintage Vogue and Simplicity patterns for the collection, which is made up of 7 pieces - a Mexico styled dirndl, a 1950's tiered dress made out of self-printed muslin, a linen skirt (that I made a few summers ago, but adjusted it to fit me better this summer), linen 1960's shorts with my corset cover, and a three piece bee set, which included my bee skirt, and a matching pair of shorts and halter top. I decided to make a dirndl for this collection because of our Mennonite heritage. Loma Plata is a Mennonite village, and my family has that background on both my mother and fathers sides. The two sides of the family are quite different because my dads side is more traditional with German and Ukrainian culture (since the Mennonites moved around, mostly through Eastern Europe), while the other side of my family has more Spanish culture mixed in. The two cultures don't seem to mix, but they often do since so many German families moved to South America during and after World War Two.
This post is just a bit of an introduction, stay tuned to see more pictures of each outfit over the next few weeks!
Well, not quite at the Stampede... but at a Stampede breakfast:)
I finished this corset cover a month or so ago, and it has been sitting on my dress form since. The side seams are sewn by machine, and the rest is completely done by hand. The lace is vintage and given to me by a family friend, as well as the buttons.
Calgary Stampede is always a fun time of year around here, so we thought it would be fun to get pictures of this at the pancake breakfast! Unfortunately they normally have hay bales, but they didn't have them this year. But I think the pictures turned out well anyway!
I have loved the look of corset covers for years, I love the shape and detail of them. While mine is relatively plain compared to some historical examples, I am so glad that I was able to use the beautiful lace that I was given.
Corset covers were usually made of thin fabric to fit under a bodice, and weren't fitted for much of the 19th century. They were lavishly decorated with lace, ribbons, pin tucks, and embroidery. They were normally light colours as well, to make sure that they didn't show through under sheer bodices. They were made to help smooth the lines from boning in corsets, or were used in the summer like undershirts to go underneath sheer muslin dresses.
When it comes to the books in my collection, I have been extremely lucky. I have been given so many books by family friends and other people who have already gone through a costuming or fashion program.
Out of all of my books (I have quite a few...), these are some of my favourites. There are so many more that I would like to eventually collect (Norah Waugh and Janet Arnold being some of the authors that I have seen are necessary in a costuming library), but I am so pleased with what I have so far.
The books that I use for inspiration and help fall into a few categories. First are the books that are specifically for sewing. Of those, my favourites have to be the American Duchess Guide to 18th Century Dressmaking, Corsets, as well as The Art of Needle Craft. The Art of Needle Craft was published in the 1930s, and a beautiful little textbook! It shows different stitch types, and has helped me with my embroidery products. The American Duchess book has been so popular among historical costumers, and it has so much invaluable information! I wish it would have been out when I made my first costume, since it was an 18th century era dress. Corsets is a book about historical corsets, and how they were made. I haven't so far used any of the patterns, but I am definitely planning to use them, and I love looking through the book for inspiration.
The second category would be the books about history. I have tons and tons of history books, since that is something that I am fascinated by and love to learn about. I narrowed down my favourites to the ones that are more about clothing through the eras. One of my first books about this, and still one of my favourites is The Survey of Historic Costume. This books is massive, and has at least a few pages for pretty much every era. It also shows modern designs that are inspired by history. Another favourite of mine, which is much newer, is my Charles James book. I have many, many favourite designers (Coco Chanel, Dior, Zac Posen, Alexander McQueen, and so many more), but right at the top of the list is Charles James. He had very sculptural designs, and the best thing about the book is that it gives a glimpse into what goes underneath the dress. I also have a great little book about the Regency era. Unfortunately it only has a few pages about the clothing, but the book does talk a little about everything. The next few books could belong in a few categories, but I decided to put it into this one because they do have great bits of information in them. I love the books by Megan Hess, especially Coco Chanel. Along with the information, it has beautiful pictures throughout.
Another category is all of the inspiration books that are just pretty coffee table books. Some of these do have costume photos in (I have tons of movie books because I love movies so much), and others have nothing to do with clothing. Out of all of them pictured, I have a few that I look through a little more often than others. One favourite is the Grand Budapest Hotel coffee table book.It has costume sketches from Milena Canonero, one of my favourite costume designers. I also love Amber Butchart's book on how movie costumes have influenced the fashion world. It includes Marie Antoinette, In the Mood for Love, Moonrise Kingdom, and many other favourite movies of mine. I also am often inspired by interior design books, such as Sibella Court books (Nomad is my personal favourite to look through). Her books are fantastic to look through since her designs are inspired by different countries. I have always been fascinated with places like India and Mexico City, and I love seeing little objects from these places. The last movie book that I look through constantly is the one for Crimson Peak.
The last category is magazines. I love sewing magazines (the ones that come with free patterns are the best), but I also read Porter and Vogue obsessively.
Where you do you get your inspiration?
I filmed a large portion of the process of making the Berlin Collection. To see more photos, you can see them here
I was so inspired by Germany while I was there, by what people wore, the beautiful countryside, and by the stunning architecture and history everywhere. Out of the whole trip, Berlin inspired me the most. Maybe it's because of the difficult near history that the city has gone through (if you know my blog well, you will know that difficult histories are something I try to teach about often), and maybe it's the gritty mixed with elegant that you see so often- Belle Epoque architecture layered with graffiti, a delicate skirt paired with a grunge-styled wool jacket.
Something that I immediately think of when it comes to Berlin is the military. I think of tough, strong women (it is a fact that Germany was pretty much rebuilt by women and immigrants after WW2, since they were all that was left), and resilience. I started to come up with the collection on the U-Bahn, and it grew in my head every time I had empty time to think (mostly on trains). I decided to make a military inspired collection, with feminine touches. After taking into account what I could reasonable pattern on my own or what I already had patterns for, as well as what materials would be easy to find or that I already had, I came up with a pretty solid collection. It includes: a pair of jodphurs, a 1930's styled skirt, a peplum blouse, my 1940's dress (that I blogged about here), and a matching suit jacket.
Most of these pieces are 1930s and 1940s styled, with a touch of 50's flair. These are the eras that interest me the most for the country- in the beginning of the 1930's, Berlin was far ahead of many other countries in terms of acceptance. But I will start before that, after the first world war, to explain the country a little bit better.
After Germany's loss of World War One, their economy and pride was crippled. Because of the Versailles Treaty, which entailed that Germany's borders would be reassigned (losing certain towns to Belgium, France, Poland, etc), they would practically lose their military, completely lose their colonies, and were prohibited access from certain weapons. What crippled Germany the worst was their responsibility to pay for the war, as well as other financial obligations. The country was struggling enough with their debt from the war, so when the Depression hit the US (who was helping them pay off their debts), the ripple was incapacitating. This is how Hitler managed to get in to power- the weak country was desperate to have jobs and pride. However, before Hitler wormed his way in, Berlin was a very open place. This is the city that held the first successful sex reassignment surgery (if you have seen The Danish Girl, that is who I am talking about). This was a very liberal place before the Nazi's- if you are interested in this era, Robert Beachy has a book called Gay Berlin that I have heard very good reviews about.
With my collection, I wanted to talk about all of the strong women in this time. I wanted it to be about the women who rebuilt the country, and the ones who made their way across the Wall even though it was incredibly dangerous, and the ones who rebelled against the Nazi's during the second world war (you may be surprised at how many female spies and resistance members there were).
Because the Nazi's wanted women to be at home having kids and cooking, they didn't quite expect women to be fighting in the resistance. This gave them lots of opportunities that some of the men didn't have. They could smuggle things around the country (such as letters and funds- often hidden in skirt hems and heels), as well as go undercover to find out information. Because it wasn't expected, they weren't caught as easily for a long time.
There is a story of a French resistance member that I always think of when I think of the women during the war (this is from A Train in Winter, just in case you want to hear more about this woman). She had a letter that she needed to carry from one resistance member to another, and she had to go out into the country to bring it to the next member. On the train, she was sitting beside a Nazi officer, and he took a bit of a shine to her. When other officers boarded the train to search the people on board, he told them that they did not need to search her, probably saving her and the letter in the process, without even realizing it.
There are so many amazing stories like this of peoples bravery during the war. Stories of women walking for miles in high heels and nice dresses to smuggle things around Nazi Occupied territory, and people who helped so many Jewish, Roma, and other people who were being persecuted to get out. Many designers and seamstresses were found to have been housing people to help them on their way out, or sewing in money, photos, and other valuables into hems for them.
If you want to read about some of these incredible stories, or if you are just interested in this time in history, here are some of my favourites: The Librarian of Auschwitz ( a true story that I actually read in Germany), A Train in Winter by Caronline Moorehead (a collection of stories of women resistance members- these stories are amazing), The Scent of Secrets by Jane Thynne, every single one of Elizabeth Wein, but especially Code Name Verity and Rose Under Fire (and also Black Dove, White Raven), Violins of Autumn by Amy Mcauley, Salt to Sea and Between Shades of Grey by Ruta Sepetys, and of course The Book Thief. When it comes to movies, I would recommend Generation War (a German mini series, which is beautifully done), X Company (this is Canadian, which I am very proud of!), and The Danish Girl (the movie that is about the first successful sex reassignment surgery). I have spent most of my life reading about Germany, and specifically this era, so if you would like to hear about more books and movies, just ask! I would love to share, and also hear about any of your favourites!
The pictures were taken by a 1948 plane. A family friend owns it and was so kind to let us use it for photos, and we even got to fly in it! Thank you so much Travis and Brenda!
And the shoes are from DSign Step, as always:)
Stay tuned for my making of video!
I am extremely close to being finished a new collection that I have been working on since I got home from Germany- The Berlin Collection. My trip gave me so much inspiration, and as soon as I got home I started with a military, menswear, 1940's styled collection. I thought that while I finish off the last piece, I would share some of my inspiration. I will talk about it more in my post with the photos, but I based the collection mostly off of the resistance and rebels of World War Two, and the women who rebuilt Germany. I wanted to focus on the strong women that I learned so much about while I was there.
I was also inspired by the Candian tv show X Company, which is based on a true story. All of the characters have a fantastic mix of military and menswear styled outfits as well as beautiful evening and day dresses. Aurora (a Jewish Candian spy) and Sabine (a German woman turned resistance) are my personal favourites. My jodphurs are inspired the most by Aurora.
I hope you enjoyed a little look into the inspiration for the collection! I can't wait to show you what I have been working on over the past weeks.
I am completely fascinated with moths, and after seeing Crimson Peak, I got the idea to use a print on one of my dresses. In Crimson Peak, one of the running themes is the black moth versus the butterfly.
Since watching that movie, I was very interested in moths. I love how hearty they are, and also how beautiful they can be. While butterflies are the well known pretty insect, moths can also have beautiful, colourful wings.
My fascination is a little bit darker than them just being pretty and tough. The theme in the movie (if you are not familiar with it) is that the main character is a butterfly, while her husbands sister is the moth- she is the villian in the movie.
I loved the theme, and also the visuals of the giant black moths on the walls of the mansion.
I also love the scientific illustrations of insects, and specifically of moths and bees. This is where I got my idea to stamp the fabric with moths, and I got the pattern from the wallpaper in Crimson Peak. Guillermo del Toro wanted the main theme to be throughout the whole movie, even where you don't notice it. So the moth is on some of the wallpaper, engraved on chairs and furniture, and in many other places, such as embroidered on clothing. I liked how it was there but not completely obvious, so I took the pattern from the movie to stamp onto my dress.
We went into Calgary to get the pictures, so while we were there I picked up another pair of DSign Step shoes (since I love my other pairs so much). We went into Inglewood to get the pictures for this dress, which is the oldest area in Calgary.
The dress is made from a Vintage Vogue pattern from the 1950s, and the fabric is a cotton blend.
Stamps and photos by Veronica Funk
Berlin has a huge, and very dark, history that I learnt more about while I was there. We spent a week in Berlin, and I could have stayed so much longer- there is so much to see in this beautiful city. I was lucky enough to be staying right by Kufurstendamm Strasse, the well known high-end shopping street of Berlin. That meant that I was a 10 minute walk from KaDeWe (the massive department store), as well as all of the high end shops, such as Dior, Chanel, Burberry, and almost every other brand that has a show at Fashion Week. I had an incredible time checking out these shops, and ended up getting a Dior silk scarf for myself (which was possibly the most exciting moment of my life). Getting to see garments that I have seen in ads and on the runway was completely surreal, and I spent tons of time inspecting them and seeing how it was all made. The stunning part of such high end, expensive pieces are not just how they look, but how they are made.
Chanel is one of the best examples of well made fashion, since Coco Chanel was very exacting about how each thing should be made. They continue in her legacy, and all of the finishing details are the same as they were in the 20s. The tweed that Chanel uses is from very specific weavers in France, and is extremely difficult to work with. Since it is so loosely woven, it frays very easily. This makes every moment of the process of making a typical Chanel jacket, for example, much harder. And then there are little details that make a Chanel jacket a Chanel jacket. Those details include a chain sewn across the bottom of the jacket to get it to sit right, a quilted lining (quilted to the outside fabric, but not seen from the outside), and bold metal buttons. All of the high end brands use unique methods and include beautiful extra details. If you take care of your purchase, it could last you for generations.
I loved the more classic styles that many of these brands carry. I have so many ideas that I have brought home with me, and a bit of determination to finish the inside of my garments better (if you have followed me for a while, you might know that I give up when it comes to finishing...).
We also went to a ton of tourist attractions, such as the Victory Column and Bradenburg Gate. Seeing these don't take up much time, since you basically just take a picture with it and leave, but it was very neat to see something in real life that you can see in pictures and movies all the time! We also went to Checkpoint Charlie, which has an amazingly well done Mauer (Wall) Museum beside it. The Mauer Museum looks much smaller than it is, but I would recommend putting aside at least a few hours to go through it if you plan on visiting. Seeing Checkpoint Charlie was amazing, and it is so strange to think that the wall did not come down very long ago. Another interesting thing was that many of the visitors that we went through the museum with were German, and not all tourists.
Not far away from Checkpoint Charlie is the Memorial for the Murdered Jews of Europe, and just beside that is the Topography of Terror. The Memorial takes up a block, and is surrounded by busy streets. Once you get inside the blocks, it is very quiet. It is a place of reflection, and of mourning. The day we went was very windy and cold, but once you walk in a bit, everything stops.
The Topography of Terror, which is very close to the memorial, has a less calm feeling to it. The museum is in the spot where the SS Headquarters were during World War Two. You can still see the outer wall of the basement, and just above that is a piece of the Wall still standing. The Topography of Terror reminded me a bit of the Canadian Museum of Human Rights in Manitoba, not just in information but also in the feeling that you get from going through. The Museum goes through from 1933 to now, and talks mostly about the SS and the gestapo. It also talks about the aftermath of the war, and what happened to some of the top officers.
On our last day in Berlin, we went down to Sachsenhausen, one of the first concentration camps built. It is about an hour train ride from Berlin, and is a whole day trip, if you are planning on going. It was very cold on the day that we went, but the weather suited the feeling that I had going through the memorial and museum. Sachsenhausen has a long and terrible history. It was originally built as a test for camps, built in a triangle shape so that the guards in each tour could see the whole camp (the shape was not used for other camps because they could not add buildings easily without wrecking the sight lines). It went on to hold up to 70 000 prisoners in 1945, and was the site of many atrocious experiments. After it was liberated by the Soviets, they used it as a camp for political prisoners, until they decided to turn it into a memorial to the people they liberated. The memorial was heavily biased (it has just red triangles on the massive monument in the middle of the camp, which means political prisoners, so the Soviets who were caught wore that triangle), and made the Soviets out to be the heros. Ironic, since they used the camp as well.
The camp was massive. It is impossible to convey how huge and empty it was inside the walls. Many of the barracks that the prisoners were held in have been taken down, but gravel marked out where they used to be. There are a few buildings left, such as the morgue, the hospital, the camp prison, a barrack or two, and the house of the head of the camp, just a few feet outside of the camp. There is also the burnt remains of 'Station Z', the building that had held the gas chambers and the crematory. The camp is free to the public, just like the Topography of Terrors, so that no one has an excuse to ignore the atrocities of the war. As someone who had learnt about the Holocaust since elementary school, nothing that I read was a shock. But that did not stop it from being an emotional journey. I had at least three moments of understanding how awful the memories were that that ground held. One was in the morgue- the upstairs held am autopsy room, and each person who died was given reasons like 'heart failure' for their reason of death (even of they had been worked to death, or shot, or beaten), and then sent into the basement. They would stack the bodies, and there is a ramp from their for wheelbarrows to take the bodies to the crematory, or to be buried. The building was quite crowded when we had gotten in, since there was a tour group going through, but once I saw how huge the basement was, I wanted out. Unfortunately, there was a rude tourist blocking the door so he could take pictures (and there were a few people taking selfies in the basement... who does that?). Going outside doesn't give you much relief, since every part of the camp oozes a terrible feeling, but it is better than being inside those buildings. By the end of the day, I was emotionally exhausted, but so glad that I went. I think it is so important for everyone to learn and understand what happened during the Holocaust. What are your thoughts about taking photos in places like that?
I ended up really loving Berlin. It is a gritty city, with a twisted past, but it really has grown past that. Many of the people that I talked to said that one thing that they loved about Berlin was the fact that it was so open and accepting, and that it is multi-cultural.
Have you been to Berlin? Did you love it as much as me, even with the dark past?
You can see more of my photos from Germany on my instagram account here, my account is @funk_katherine