I have been taking videos of a lot of my progress while I have been working on my collection right now, and before taking a video I always take a quick picture to make sure that it frames everything I want it to. I ended up with a bunch of photos of my workspace, and I found it interesting to see how I set myself up without even realizing it. It was also interesting (for me, at least) to see all of the places that I work on projects. Here is a peak at where I work on different parts of my projects.
I often work on my bed when I am hand sewing. I love watching movies, and it's fun to watch something while doing some hand work. I also have a habit of watching the same movies over and over again, which is why I watch them in my room and not in the living room (to save my poor parents from hearing the same movie a million times).
I need a lot of space for pattern drafting, so I take over our dining room table for it. I normally start out with a tidy and pleasing work space and always end up with a very cluttered one. Pattern drafting is not my favourite thing to do, but I have grown to appreciate the way it works, and it is satisfying to end up with something made completely from scratch.
Most of my time is spent in my studio since that is where all of my supplies, my sewing machine, and my serger are. It's also nice to have a space where I can leave everything set up exactly how I want it to continue working the next day. It is usually pretty crazy while I'm working on a project, and I tidy in between.
While I print fabrics I take over the dining room table again. It takes up a lot of space just like the pattern drafting. I also cut on the dining table, although I prefer to cut the smaller pieces on the floor of my studio. Printing the fabric is a pretty messy process, so I have a plastic table cloth to put down before I start.
I was lucky enough to be chosen as one of the 10 designers to create a small ready to wear collection and one art dress for a fashion show that will take place on Canada Day in Victoria, BC, at the Victoria International Marina.
I had so much fun coming up with the design ideas since I could do whatever era's and whatever styles I wanted to, as long as I used eco-friendly materials to make them. I am currently working on the ready to wear pieces and having a great deal of fun playing around with the materials and designs.
So far I have gotten all of my fabric through KenDor Textiles, which is a Canadian company that specializes in eco-friendly and sustainable fabrics. I have so far printed two of the fabrics, drafted two of the patterns, and cut out those two dresses so they are ready to be sewn together. Once I got my fabrics in, it has all been coming together pretty quickly!
I can't wait for the actual show so I can show everyone exactly what I have been working on, but for now here are some sneak peaks!
If you would like to hear more about V.I.M. Future Oceans, you can check out their website here, Instagram here, and their Facebook page here.
I recently printed an owl fabric for a friends mom, and it was such a nice stress reliever while being in school. I love printing fabrics, and I love owls, so this was a lovely project to have during my reading week.
I now have three owl stamps, made for me by my mom (her website is here).
I started a 1960's ensemble almost a year ago, and was completely distracted by the beginning of school. After some issues with the lining and top stitching, I was not motivated to finish it. It has been sitting nicely on a chair in my sewing room until Christmas break, when it was finally finished and we got some lovely photos of it!
This is from a Simplicity pattern from the 1960's, and I made it using coordinating quilting cottons. I think that this pattern looks so much like Barbie clothes from the 60's! I had so much fun wearing it around a new mall that is at the moment pretty empty. The mall had a pretty creepy feeling (it is massive, and only has a few stores in it so far), but I think the photos turned out perfectly! I mix of 1960's fashion and futuristic, Blade Runner style (at least, I think the photo's look a bit like the Blade Runner).
We got these photos on Boxing Day, and they were planned very last minute. We had such fun getting these though!
I am back in school for the second semester, so any extra sewing is on the back burner. I do have my final projects from semester one (a pair of pants and a skirt) which I am hoping to get photos of soon though, so keep your eyes peeled:)
Thanks for reading!
I recently went through my sewing room and cleared it out, so I have a few costumes that I am selling! As much as I love how these ones turned out (they are actually some of my favourite costumes that I have made so far), I have lots of plans for new bustle era ensembles, and I need space for them! These big costumes take up space, and I actually only wear them for the photo shoot. I am not much of a Halloween person, so they don't see the light of day after I have finished and photographed them.
The first costume that I am selling is my Anatomical Heart bustle dress (the Frankenstein dress). This is a cotton dress that comes in 3 pieces - the bodice, the skirt, and the apron (the draping over the front and the bustle). It is hand printed with a anatomical heart stamp in red. Neither of these dresses come with the undergarments. Although they are worn over a corset and bum pad or bustle cage in the photos, they do not come with them. Find this bustle dress for sale here. You can also see more photos of this dress in my post here
I am also selling the hat that I wore with the bustle dress! This is a felt fedora styled hat with a beaded veil, ribbon, and feathers. I wore this in the photo shoot for my Frankenstein dress. The hat will be listed shortly, so keep your eyes peeled!
*Edit: The hat is now up! Check it out here
The third ensemble that I am selling is my Through the Looking glass dress. This is another bustle dress made of silk brocade and a bodice of a silk rayon mixture. This one also does not come with the under pinnings. It is a two piece dress, with a skirt with a train and plenty of room for a bustle cage to go underneath, and a bodice with long draped sleeves. To purchase this dress, click here, and to see more photos of the dress, check here
Both of these dresses are entirely hand made and draped by me, with the Frankenstein dress even printed by me. Check out my Etsy account if you are interested in purchasing any of these items! And just a reminder, I still have 2 1950's styled garments in my shop as well- my retro scissors skirt, a a pin-up styled white romper.
Thank you for reading, and stay tuned for new projects coming up!
I had a bit of a sewing frenzy last weekend, and ended up finishing not one, but two garments in the two days. I was finally able to use a lovely pattern that I got by Patterns by Gertie. The fabric is from Michaels. I decided that this ensemble was very wintery, so we made our way to Big Hill Springs National Park (which is not far from where I live) to take photos.
Even though there was lots of snow on the ground, it was a lovely day with warm sunshine and no wind, so it was not difficult to stand there in a skirt without a coat (although, my feet were pretty frozen by the end). I am lucky to live in an area with so many different landscapes! It makes finding places for photo shoots very easy.
The blouse is a wrap blouse from the same pattern as the skirt. I chose a plaid flannel to make it, since I have been running out of warm and pretty shirts to wear to school lately. The skirt is the sweetest cotton print, with animals on it. It ended up being very Canadian! I think this skirt will be worn on Canada Day this summer.
I have been wearing a ton of 50's styled outfits lately, so I have already worn these pieces out. The skirt needs to be taken in slightly (you can't really see in the photos, but it will be a quick fix), but other than that I am thrilled with how it turned out!
I recently started school, so I have been a little bit busy. While I am loving school, and learning tons of new and helpful things, it has been quite stressful getting started so the blog has been paused. Now that MakeFashion is done, and I have gotten used to my new schedule, I have lots of plans for the winter season!
After a trip to Fabricland a while ago, I am filled with inspiration! The first thing on my list is something that I have been wanting to make for a long time- a kitchy, 1950's wrap dress. I picked up the McCalls pattern M7354, and a fabulous printed cotton. I will be binding the dress with cream bias tape, and picking out two cream buttons to finish it off.
The second pattern that I picked up is a pattern that I have admired for a very long time, and now that I am confident enough in my sewing skills I am ready to make it! I am going to do a trial run with a plaid flannel to make myself a night gown, and then I will make myself a few slips to go underneath my dresses.
I have always been a huge fan of Patterns by Gertie, and I have used a few of her patterns before, so I did not hesitate to get a few more of her patterns! The first one here is a skirt and blouse pattern. I am making the skirt out of some left over wool from a 1940s styled dress, and I haven't decided what to make the shirt out of quite yet.
I also got a stunning boat neckline dress pattern with a V back. This dress can be made as an A-line or as a pencil dress, and I am thinking of making the pencil version first. I may make it out of some left over wool from my Bomb Girl Trousers, but that is yet to be decided! I have so many different fabrics that I think it woulds be fabulous in.
Another Gertie pattern that I grabbed is for petticoats! This is thrilling, since I have been wanting to make myself a petticoat or two for ages. The more interested I get in 1950s fashion, the more that I need (okay, maybe not need... but really want!) a petticoat to underneath all of the full skirts that I have. The last one I am extremely excited for (okay, I am excited for them all, but this one is pretty good). It is a Sabrina style dress with a pencil skirt and full back. I am planning on making this out of a burgundy silk dupioni. I was originally saving this dupioni for a natural form era dress inspired by Crimson Peak. I still would like to make a dress like that, but it will be out of a different fabric.
The last pattern that I picked up is the 1890s pattern from Angela Clayton! I absolutely love her blog and youtube channel, and I was so excited when her first pattern came out. I am hoping to make a jacket for myself with this pattern, and at some point I think I will be needing an 1890s ensemble...
Thank you for reading, and I hope that you are as excited about all of these ideas as I am!
I absolutely love the movie The Man From U.N.C.L.E. from 2015, and I especially love the costumes. The character Gaby, played by Alicia Vikander, has the best trendy 1960s outfits throughout the movie, along with fantastic hair and makeup. After seeing the movie a few times (like I said, I very much so enjoy this movie...), I decided that I needed to make myself a dress like hers. I ended up finding a fantastic vintage pattern by Simplicity, and decided to do a classic coloour block for this dress. I chose green and white because of this dress that she wore in the movie.
I also wanted to make this dress because of my growing interest in the Cold War. After going to Germany last year and seeing the Mauermuseum (at Checkpoint Charlie), I learnt so much more about the era after WW2, and it made me even more interested in not only the politics of the time, but also the fashion. I also recently found tons of olds family photos of my grandma in the 60's and 70's, and she wore so many beautiful dresses! My grandmother was very trendy, so she was always wearing the newest style! She has tons of photos in Go Go boots and mini skirts.
The Cold War is a very interesting (and scary) time, and I was especially interested in learning about the Berlin Wall. The Mauermuseum also has a fascinating history since it was actually set up very soon after the Wall was built. Founded by Dr Rainer Hildebrandt, he thought that it was important to talk about the non-violent fight for human rights. He chose to talk about that directly beside an affront to human rights. The museum grew as the Wall stayed up, and has been updated to include what happened after the Wall fell, as well as more recent genocides and affronts to human rights.
The museum has many artifacts such as cars, a hot air balloon, and a mini submarine, that show how hard people worked to get rid of the wall, and to get around (or through) it. Many people helped East Germans escape to the other side, and there are so many brilliant stories.
The building of the wall started on August 13th of 1961 by the GDR (German Democratic Republic, which is East Germany). The people living in the GDR had been revolting for a long time. At the end of the WW2, the US, Britain, and the Sovient Union split Germany. The country was split into 3 zones with Berlin in the Soviet section. Berlin was also split into zones, with the US, UK, and France taking the West side of the city and Soviet troops controlling the East. When the tensions arose between the countries, the Soviets decided to block off the roads, rails, and water access to West Berlin. Starting in 1948, they hoped that the other countries would be forced to give their section to the Soviets. The response by the UK and US was to airlift food, fuel, and water into Berlin from airbases in Western Germany. At the height of the airlift, planes were landing every 45 seconds at the Templehof Airport. By 1949, they had won this crisis and the blockade was lifted. In 1953 the people of East Berlin had a revolt that was stopped with Soviet tanks. The Soviets struggled to keep their side of Germany because of their cruelty and lack of supplies (East Germany was starving).
Checkpoint Charlie is the most widely known checkpoint between East and West Germany. Many demonstrations were held there, and there were many successful escape attempts there. While the wall was up (between 1961 and 1989) more than 5000 people escaped across the Berlin Wall. The longer the wall was up, the harder it was to cross. One woman was smuggled out in the seat of her boyfriends vehicle (the cut a hole for her to sit literally inside the seat, and she almost suffocated in the small space). People also got through in speakers, over on hang gliders with a Trabant motor, with hot air balloons, as well as under in tunnels. The most successful break through was in a tunnel when 57 people made it through in two nights in 1964.
There were also many unsuccessful attempts, and many people died trying to get to West Germany. In 1962, a man named Peter Fechter bled to death. He was shot by Soviet guards and after 45 minutes of agony with no help, passed away beside the wall. This started a huge protest when onlookers could see and hear him, but were unable to help because he fell onto the wrong side of the wall.
I think that this is a hugely important part of history to learn about, especially since it is so close to us (the wall was only taken down on Novemeber 9, 1989).
To learn more about the Wall and its history, the website for the Mauermuseum is here. You can also hear more about the Berlin Airlift through this website here. Some other movies and books about the era that I found very interesting are Bridge of Spies (with Tom Hanks), Stasiland: Stories from Behind the Berlin Wall by Anna Funder, Wings of Desire (released in 1987), and The Spy Who Came in From the Cold by John le Carre. If you have any more to add to the list, let me know!
The photos are taken at the Wonderland Sculpture (which us locals call the Big Head... creative, I know) outside of the the Bow Building.
After making my last dirndl (made using this pattern), I liked wearing it so much that I decided to make another, just with a few different details.
The print is my own on muslin, three different owls with a navy fabric ink. There are so many beautiful dirndls, with different necklines, skirt lengths, and trims. One of my favourite trims is box-pleated ribbon, so I decided to do that one this one. I also took away the bottom ruffle, the sleeves, and shortened the skirt a bit. I decided to take the sleeves off to give the option to put blouses under (very common in classic dirndls so you have the chance to change the look, as well as make sure that you don't have to wash the dirndl too often, just the blouses). At some point I would like to make a lace blouse to put underneath as well.
I also made an apron to put with the dirndl. I chose a wide ribbon that matched the one on the neckline for the waistband, and cartridge pleated quilting fabric. Cartridge pleating is one of my favourite ways to gather fabric, I love how much volume it gives as well as the way it looks (very neat and tidy!). I based this dirndl off of many examples that I saw while in Germany.
When visiting my family in Wettmar, they had a video of the people living there in the 1950's. The video was just a home video of real life in Germany in the 50's and 60's, and lots of the ladies who were doing yard work and house work were wearing dirndls! There was tons of variety of fabrics and styles that they wore, and every age wore them (except for some of the fancier girls who were wearing pencil skirts and heels). I loved this, and wanted to make a bit of a contemporary version for myself by making my own print.
The interesting thing with dirndls is that they can be used in every circumstance. For every day work, the sleeveless ones are great so that you can have multiple plain blouses with different sleeve lengths to wear with it. That means you don't wash the dress as much, so it lasts longer. Blouses are easier to wash and cheaper to replace. The aprons are also a good way of being able to wear the dress multiple times. In fancier situations (even weddings!), they are able to use lavish silks and brocades, put on nice trim (including embroidery), and wear lace blouses or add fancy sleeves. They also lower the neckline and either shorten the hem, or make it floor length. They also add beautiful silk or lace aprons.
Since I wanted mine to be better for every day, but still be able to dress it up, so I made mine out of muslin but made it sleeveless so it depends on what I wear underneath and what shoes with it to dress it up or down.
These pictures were actually taken at the industrial part of our city, funnily enough! As you can see, we live in a pretty agricultural area, so farms are sometimes right in the city. If you turn around, however, there are factories!
If you want to see some modern day companies who make beautiful dirndls, Lena Hoschek is well known for hers, and I also love this company.
Thanks for reading!
The bees skirt is made from quilting cotton and hand stamped with bees (more photos here), made using a Butterick pattern. The shorts and halter are made using a Simplicity pattern and quilting cotton.
One more post will be up soon of the last few pieces in my Mexico Collection!
The Crooked Saints dress is a self printed muslin (printed with succulents, skulls, bees, and owls), and made using a 1950's pattern from Vintage Vogue. The Spanish styled dirndl is made using quilting cotton and a Patterns by Gertie pattern.
Come back soon to see more photos of the other outfits in me Mexico Collection!
Since I made a Berlin collection after visiting Berlin this spring, I decided that I needed a Mexico one as well. This was a bit different however, since it wasn't as much inspired by the area I had been in as it was by the desert part of the country and New Mexico. The area where we live is very dry, and we are close to Drumheller, which is a desert type area. I was inspired also by Paraguay, which is where my grandparents are from. We recently visited my grandma and went through some of the old photos they had from Paraguay and when the first moved to Canada. I was inspired by my grandmas very trendy outfits from the 60s and 70s, so I based much of my collection off of that. I also based it off of All the Crooked Saints by Maggie Stiefvater, The Hour of the Bees by Lindsay Eagar, as well as Frida Kahlo and her clothing exhibit that was recently at the V and A.
Although my grandparents grew up in the same place (Loma Plata), they had very different childhoods. My grandpa grew up quite poor and started working at a very young age. Although he never finished his education, he was a brilliant man. He knew multiple languages and could take apart and put back together an engine as a kid. He drove around South America as part of his job. My grandma grew up in a wealthy family. I look quite a bit like her when she was my age.
This collection was inspired mostly by 50s and 60s fashion, and was made entirely out of linen and cotton to keep cool. I used a few Vintage Vogue and Simplicity patterns for the collection, which is made up of 7 pieces - a Mexico styled dirndl, a 1950's tiered dress made out of self-printed muslin, a linen skirt (that I made a few summers ago, but adjusted it to fit me better this summer), linen 1960's shorts with my corset cover, and a three piece bee set, which included my bee skirt, and a matching pair of shorts and halter top. I decided to make a dirndl for this collection because of our Mennonite heritage. Loma Plata is a Mennonite village, and my family has that background on both my mother and fathers sides. The two sides of the family are quite different because my dads side is more traditional with German and Ukrainian culture (since the Mennonites moved around, mostly through Eastern Europe), while the other side of my family has more Spanish culture mixed in. The two cultures don't seem to mix, but they often do since so many German families moved to South America during and after World War Two.
This post is just a bit of an introduction, stay tuned to see more pictures of each outfit over the next few weeks!
I have been trying out different ways to naturally dye fabric, since I would love for my garments not to be wasteful and to be good for the environment. I use quite a bit of unbleached muslin, so I wanted to try out some new colours for it. I have already done lots of tea staining (it just makes the perfect cream colour!), so the other day I tried a method that I have seen in books. This involved steaming fabric with rose petals folded in it. The final product wasn't quite what I was expecting, but it is very pretty! I think next time I will try with deep red rose petals in the hopes that it will make a pink or lavender colour.
To try it, I just used a small section of unbleached muslin, which I dampened. I then arranged rose petals on it in a random pattern. Once I was happy with where the petals were, I folded and rolled the piece together and tied the ends with strings. That was steamed for a few hours, and then left to cool. After it was cool enough, I unrolled it, took out all of the petals, and left it out to dry.
Have you ever tried natural dyeing? How did it turn out?
I made a second dress inspired by In the Mood for Love by Wong Kar-wai quite a while ago. The first dress that I made (more photos here) was made using a pattern from Patterns by Gertie out of a quilting cotton for more of an everyday look, and I decided that I wanted another, fancier version. I love how this pattern fits me, and I think it looks so similar to the beautiful dresses that the main character, Su Li-zhen, wears in the movie.
The first In the Mood for Love styled dress that I made I just realized recently that I had only posted a video of the making of the dress, as well as a few posts on my instagram (here). I later realized that I didn't even get any photos of this dress once I finished it! Which is funny because I wear both of these in my everyday life quite regularly.
This dress is shaped with 12 darts with a slit in the side, and I used a silk dupioni for this version.
Thanks for reading!
The more that I have been working on my sewing, and the more opportunities that I have had meant that I needed a little more help in the studio. After lots of research (mostly done by my mom), we decided on a Janome. My sewing machine is also a Janome, and I love it- I find it very easy to thread and work, and it can sew through almost anything. The sewing machine I have has also last for years- it was my moms before I started sewing. When we went into the shop, I was looking for a smaller machine (I don't want all of the extra details, or a computer panel, just the basics). There was another machine that was a little smaller, and cheaper, but it was a manual threader which is much more difficult and takes more time. This machine (which is the Pro 4DX), is a model that they have been making for years, is very easy to thread, and has fantastic reviews. I am so excited to have this extra piece in my sewing room, I know that it will help me so much!
Because I got this extra piece, I needed a place to put it. My sewing machine sits on top of a beautiful old sewing machine given to me by a family friend. It is an old Singer machine that I am hoping to get it to work so I can sew some things on this machine (which is from the early 1900s). Unfortunately, I didn't have the table space on it to fit another machine. Luckily enough, we just happen to have another old Singer machine in the house. Ours is a slightly different make, but just as beautiful, and I am so excited to have it in my sewing room (I used to pretend to be sewing on it all the time when I was a little girl, so dreams are coming true here).
While we were in the city, I also picked up a few patterns. I am so excited about these, as I will be using all of them to build up my wardrobe (I have the hope that my whole wardrobe will be made by me except for sweaters, shoes, and such). I even have the fabric for pretty much all of the projects that I have planned, so hopefully they will be quick to finish!
I have been planning a Mexico dress for a long time, and I finally have a set plan for it! I originally was going to do a tiered skirt with a white blouse (similar to an outfit that my grandmother has a picture in when she lived in South America). When I found this pattern from Vintage Vogue, I thought it was perfect. It has the tiered skirt look that I wanted, but with a twist. I am planning on printing my own cotton to make this with, with the skull (like a sugar skull), and a rose in bright colours.
The next pattern that I got I have been admiring for years. I actually had planned to make this for graduation last year, but I ended up buying something and altering it instead. When I saw the Vogue sale at the fabric store (which is why all of these patterns pictured are Vogue), I thought that it was the perfect time to get this one. I haven't decided what fabric to use for it yet (silk to make it fancier? Or wool suiting for more of a winter style? Or perhaps muslin for a summer suit?), but I am very excited to make it, and I am hoping to make a few different versions of it.
This is another one that I have been planning for a long time, however I had not chosen out a specific pattern for it yet. When I saw this, I thought that it would be perfect! I have been wanting a nice pair of cigarette style trousers for years, and when I picked out this wool suiting from Bhatia, I thought it would make an adorable pair. I had originally planned to use the wool for a cocoon coat, but I decided that I would use these more often. I also would like to make a linen version of the shorts for this summer.
This pattern was a little bit of an impulse buy. 1940's patterns are a bit of a soft spot for me (I love the interested details, and how they managed to use as little fabric as possible while still using interested seam lines and such), plus the dress with the full sleeves reminded me of the Fendi ad that I think is stunning.
The last pattern that I got a few days ago came free with a sewing magazine. This one comes in a few lengths and sleeve lengths, and I thought that it would be perfect for a Wes Anderson styled dress. I chose a coral cotton to make it out of, and was inspired by Suzy from Moonrise Kingdom.
I also have a few patterns coming in the mail- the dirndl dress from Patterns by Gertie, as well as a few Vintage Simplicity patterns. Two of those are 1960's mod styled dresses, one is a 1940's skirt suit, and the last is a pattern for 1930's tap pants and bralette.
Other than shopping, I have been getting lots done. I won't share the majority of what I have been doing yet until I get photos, but I will give you a sneak peak. I also altered my 1930's wool skirt, since it was large at the waist. It was a quick fix, but I have been putting it off for months since alterations aren't my favourite. There are a few more things I need to alter, so I am hoping to do that soon.