A few years ago I stumbled across three of the most incredible ensembles: a wool wedding suit from the mid 1910's, a 1920's/30's lace evening gown, and a 1940's wedding dress. Out here in Alberta, we don't find that much vintage clothing from these eras, and especially not for the price that I got them at!
Originally I was just going to bring home one, but they were all not being properly taken care of (such as the silk skirt of the wedding dress being Safety Pinned to the hanger...). It was nearly painful to see these stunning pieces of history stuck in a place that had no idea how to take care of them, so I took them home and started researching how to take care of delicate, old clothing.
The longer that I have them, the more glad I am that I picked them up. Even if I never was able to wear them or show them to another soul, they have been able to give me a world of information about how clothing was drafted and made in these eras. 

This wool wedding suit no longer has a lining (whatever is left of it is shredded on the inside), but the rest of it is in fantastic condition! This suit has some of the most gorgeous details on it, and the classic silhouette of a World War One women's suit. I obviously am not doing it justice, since I don't have the proper undergarments on, but I couldn't help but get photos before I put together the proper underpinnings.

This next ensemble is my favourite out of the whole lot. The 1920's and 30's have always been one of my favourite eras clothing-wise, and it is extremely rare to find here. Alberta was devastated by the Great Depression, so any clothing from that era was mostly worn completely through. 
This soft pink evening dress came in three pieces: a silk low-back slip to go underneath, the lace dress, and a matching lace bolero. The bolero is so beautiful with the dress, but it is so delicate that I decided not to put any stress on it. 
This dress has a side closure of snaps, and a much fuller skirt than you can see here. It moves like a dream! I was thrilled when it fit me so perfectly for photos.

The last piece that I managed to grab - the 1940's wedding dress - is in the best condition out of them all. The lace has no tearing or holes in it at all, and the silk skirt is perfect. It also came with a wedding veil, which was in worse condition so I didn't take it out of the box. 

Have you ever found any wondrous vintage finds that you just couldn't leave behind?

​~K

As I promised last week, here is the first detailed post about my eco couture collection for the Future Oceans fashion show that took place in Victoria, BC on July 1st. If you haven't heard about this before, or would like to learn more about the Future Oceans Fashion Show, you can see my other posts about it here.

The first garment that I designed for the collection is inspired by the 1920's (which is one of my favourite decades of style). This dress is a drop waisted gown with a deep V back, knee-length handkerchief skirt, and bloused top. The side panels in the skirt are hand printed by me on a TENCEL twill, which is a sustainable material that I got locally, through a Canadian company. The waistband is an organic cotton sateen.

This entire dress is lined and is finished with top stitching. 
I've always enjoyed the aesthetic of the 1920's, but the shape can be difficult to get and make it look nice. The drop waist style can be really unflattering on a lot of shapes, depending on how it's being accomplished. I spent a lot of time on pinterest looking through extant garments from the era, as well as some modern interpretations of them (from movies and tv shows like Peaky Blinders and The Great Gatsby). None of the garments in this collection are meant to be exact replica's of dresses from each era, but more to harken to each decade.

Some of my favourite dresses from the 20's have low backs, so I wanted to make sure to include that in my design. I also love the extra panels that flare out when the wearer is walking. The TENCEL twill has a beautiful drape to it, so I used it for both the 1920's and the 1930's inspired gowns.

The second dress is inspired by the 1930's. This dress has a boat neckline with a deep V back, wide waistband, pleated over skirt, and thin belt. It's entirely made out of the TENCEL twill, so the whole thing is soft and has a wonderful drape to it. All of the peach sections are hand printed by me.

Drafting the pattern for this dress was a fun challenge, as was figuring out how to put it together while also making sure that all of the edges were nicely finished. It took me the better part of an afternoon to draft the entire pattern, and I'm pleased with how it turned out in the end. The bodice is fully lined.

The shaping in the bodice is created from two pleats at the waist on the front, and the back pieces are gathered and meet at the waistband to create a deep V. The under skirt is just a regular straight skirt, similar to what a skirt sloper would look like. I ended up just draping the over skirt instead of patterning it so that I could get as much fullness as I wanted. The hem is shaped to be longer at the back.

I loved designing these garments, as well as all of the other ones in the collection. Next week I will focus on the dresses styled like the 1940's and 50's!
​~K

Last month I was lucky enough to be a part of the Future Oceans Fashion show, which was held at the Victoria International Marina in British Columbia on Canada Day. I had an amazing trip (which you can read more about here) and enjoyed working with Future Oceans so much.
Future Oceans is a company that focuses and Eco Friendly fashion, which is something that I am very passionate about. The fashion industry is a huge polluter, and knowing that made me lose some of my passion for my sewing. This opportunity came at the perfect time, and I loved the challenge of trying to make beautiful garments that are as eco friendly as possible.
I have some very exciting news about the next step with Future Oceans: I will be having 'Fashion on Demand' garments at the Future Oceans Boutique in the Victoria Bay Center through September! The Fashion On Demand will be four pieces that I will be making to measure for anyone who orders one.

Each garment was inspired by a different era and hand stamped by me. This first one was inspired by the 1920's, with a low waist and deep V back.

Garment number two was inspired by the 1930's. This also has a deep V back, as well as a gathered over skirt.

This was the only one that I didn't stamp, and was a bit of a last minute addition to the collection. This is inspired by a 1940's apron dress with a crossover back.

Inspired by the 1950's, this dress has a front button closure and a tiered, mid calf length skirt.

This is the first dress that I made for the show, and it's also the most comfortable one! I looked to the 1960's to design it, and it's finished with side seam pockets and is fully lined.

And the final garment in my Eco Couture line is this 1970's styled mini dress, complete with puffed sleeves.

This is just a sneak peak of each of the garments I made for the show, so keep tuned for more photos and information!
​~K

After much consideration and the realization that I have way too many clothes (the ability to make whatever clothing I desire really adds to that problem...), so I decided to do a huge update on my Etsy account. Going through the photos for each of these made me quite sad to be selling them, but there is no more room in my sewing room closet! I hope that they all go to good homes:) 
All of the basic information about the pieces are below the photos, and you can buy any of these, plus more, on my Etsy account here

Enjoy! If you are interested in purchasing any of these, they are up in my Etsy account here

~K

I was lucky enough to be chosen as one of the 10 designers to create a small ready to wear collection and one art dress for a fashion show that will take place on Canada Day in Victoria, BC, at the Victoria International Marina.

I had so much fun coming up with the design ideas since I could do whatever era's and whatever styles I wanted to, as long as I used eco-friendly materials to make them. I am currently working on the ready to wear pieces and having a great deal of fun playing around with the materials and designs.

So far I have gotten all of my fabric through KenDor Textiles, which is a Canadian company that specializes in eco-friendly and sustainable fabrics. I have so far printed two of the fabrics, drafted two of the patterns, and cut out those two dresses so they are ready to be sewn together. Once I got my fabrics in, it has all been coming together pretty quickly!

I can't wait for the actual show so I can show everyone exactly what I have been working on, but for now here are some sneak peaks!
If you would like to hear more about V.I.M. Future Oceans, you can check out their website here, Instagram here, and their Facebook page here.

~K

After putting up a few of my costumes for sale, I realized that it wasn't just my costumes that I had made and not worn after photo shoots, a lot of my vintage styled garments had the same problem! I get excited to make different patterns or try out new things, but they aren't always things that I actually want to wear. I am the type of person who really enjoys comfort, and that usually means soft fabrics and not too fitting of bodices. I absolutely love all of these garments, but I can always look back at the photos when I miss them!

First up is my 1950's styled blue shirt dress! I love this fabric so much, but the dress is slightly big on me. Check out the listing here. This is a blue 1950's styled shirt dress with red button accents and a notched collar. This dress is not for $65.00

Next is my Bee Skirt! This is the cutest pattern (if I may say so myself, since I actually printed the cotton myself haha), and an A-Line skirt that falls just past the knees. Read my post about making it here, and purchases it here. This skirt is on for $50.00

This is possibly one of my favourite cottons that I have ever worked with! I love quilting cottons (they don't wrinkle so easily, and they iron nice and crisp. They also feel amazing on the skin), and this llama and cactus one is so cute and summery. You can check out my posts about this dress (it is a part of my Mexico Collection) here, and see the listing here. This dress and apron are on for $85.00

Another piece of my Mexico Collection, my matching shorts and halter top are also for sale! Check out more photos here, and the Etsy listing here. It is up for $65.00

I am very sad to be letting go my 3 piece suit, made up of this 1950's style sheath dress, the boxy blazer, and cigarette pants. These are a part of my Crooked House Collection, and made of a beautiful plaid wool blend. Each of these are for sale separately for $55.00. You can get the dress here, the pants here, and the blazer here. See more photos of them here.

Up Next: My Man From U.N.C.L.E dress (inspired by the movie with Armie Hammer and Alicia Vikander). This is a cotton, mid-mod styled summer dress. To see the Etsy listing, click here, and to find more photos (and information about the Cold War), click here. It is on sale for $65.00.

My muslin peplum blouse with a shawl collar and mother of pearl buttons is on for $55.00. This was a part of my Berlin Collection, which you can see here. Purchase this blouse here.

My 1940's styled wool dress with short sleeves and a matching blazer! These are both for sale (the dress for $75.00, and the blazer for $65.00). Check them out here, and see more photos of them here.

Enjoy!

​~K

I love this time of the year. As someone who greatly enjoys cleaning and fresh starts, the New Year is always exciting. I also find it helps to look over the last year, to show myself how much I have accomplished. It always feels like not much happened until you look through your day planner or calendar. I ended up having a very busy year, and have another one planned! My apologies in advance - this is going to be a very long post!

I started off the year with an easy project- a cute little bee skirt. I look slightly miserable in some of the photos since I was battling an unnecessarily long cold, but I still wear this (and brought it to Germany with me!). 

After that, I had a bustle era obsession, and made a bustle cage and my Through the Looking Glass dress. We took photos of this dress in a blizzard (most of our photo shoots seem to be in terrible weather...), but I loved how it turned out! It is actually for sale in my Etsy here.

And started making a second bustle dress to go with the first... which is still not done (first goal for the New Year? Finish some of theses projects)

In March I went to Germany! I spent two weeks, starting in Berlin, and making my way over the Koln and then Hannover. I had an amazing time, got tons of inspiration, and met some of my family that lives there!

Once I got back to Canada, I finished quite a few things in a pretty short amount of time, starting with my Moth dress. We had a great day taking these photos in Inglewood, in Calgary.

My favourite photo shoot from the entire year! The Berlin Collection is so far some of the favourite garments I have ever made as well. I wear all of them, and the WW2 military style will always be my favourite. We were so lucky to ride in a vintage plane as well. This is up there with Germany on my best memories of the year list.

Lots of 50's styled things this year! After making my In the Mood for Love Dress and enjoying wearing it so much, I decided to make another one in a different fabric. 

I have always admired vintage corset covers. They are so delicate and detailed! So this summer I made myself one for underneath the (still unfinished) bustle dress I was working on. And it was perfect timing! I ended up being able to get photos at a Calgary Stampeded Pancake Breakfast.

The Mexico Collection was my Summer collection this year (can you believe it? 3 Collections in 1 year! I am quite proud of myself). We got fabulous pictures at Drumheller on a very hot day. 

In August we got new photos of my 1930's skirt at Heritage Park (one of my favourite places to go every summer), and made myself another dirndl. Dirndl's are one of my favourite garments, and I have so much fun making them. I also got 2 tattoos in August, which was lots of fun!

September was probably the craziest month of them all! Not only did I start school (I am taking Costume Cutting and Construction through the Olds College Calgary Campus), but I also was a Team Lead for MakeFashion. Last year was my first time doing MakeFashion, and I absolutely loved it. I was so excited to be a part of it again this year! I also started my Etsy account in September, as well as got photos of my Man From UNCLE dress. Plus, at the beginning of the month I released my Fall Collection, Crooked House, where I collaborated with 2 local businesses - DSign Step and Iron Crow Antiques. 

Thankfully, October calmed down a little bit and I only finished one garment- my 1950's romper, which is also up on my Etsy.

In November I actually finished two outfits, but I only have photos of my Canadian 1950's Shirt and Skirt. I also had lots of other things going on in October and November, which cut into some of my sewing and inspiration time. I got psychological testing done in November, and was finally diagnosed with Autism Spectrum Disorder. I also turned 19 in November, and participated in the Natural Talent Alliance Model Walk

And finally December! I had some pretty big ups and downs this year, both with personal life and my sewing. I had some amazing opportunities and fantastic memories, such as going to Germany, flying in a plane from 1946, and taking part of MakeFashion again, just with my own design this time. I also spent a lot of time questioning exactly where I want to go in my future (which caused a lot of grief- I really like having a goal to work towards). December ended up being an amazingly calm end to the year. I finished my two final projects in school (a skirt and pair of pants that I will be getting photos of soon), and did a Peaky Blinder photo shoot to celebrate finishing my first semester of school. I also started working out again, and became a brand ambassador for Just Strong athletic wear! 
I also worked on a few things that I don't have photos of yet during the year (such as a 1960's coordinating coat and dress, and vest that I made for a gift, and a few other things), and I made a few patterns for a local athletic wear company, Intuitive.

To sum up the year in logistics: I sewed over 30 garments, released 3 collections, started school, and was in 11 newspaper articles. Not too shabby!
I am so excited for 2019!

​~K

My mom and I started watching Peaky Blinders this summer, and we are absolutely Loving it! The music, cinematography, costumes, and the actors (who doesn't love Cillian Murphy?) are all fantastic. I have always had an interest in the dark side of history (you can read more of my posts about dark histories here), so it was a natural response to the show to research the real Peaky Blinders.

The Peaky Blinders were a real gang in Birmingham before and during WW1. They were set apart from other gangs because of how nicely they dressed- often in nicely tailored jackets, waistcoats, and peaked flat caps. They started in the slums in the 1890s, and organized themselves into a gang that had a certain amount of political and social control. Unlike the show (warning: spoilers ahead), the gang was taken down in the 1910's by a gang lead by Billy Kimber, called the Birmingham Boys.

Another thing that the Peaky Blinders were known for is sewing a razor into their caps. The criminal profiler and historian, John Doulgas, believes that the caps were used as weapons for most members. The name of the gang is believed to come from how they would cut peoples foreheads, temporarily blinding them with their own blood. The name could also come from the slang of a Blinder being a well dress person. Where the name came from is a bit of a sensitive subject for historians- Carl Chinn (a professor with an MBE in English history) is a firm believer that the razor idea is a myth.

Most of the members of street gangs in the late 1800s were between the ages of 12 and 30. Later on, these groups started to create a pecking order. The 'leader' of the Peaky Blinders was a man called Kevin Mooney, though his real name was Thomas Gilbert. They often had land battles with another gang in the area, the Cheapside Sloggers. By the late 1890s, the Blinders were expanding their expertise, going into protection rackets, fraud, bribery, smuggling, bookmaking, and many other illegal pursuits. They were less of an organised crime group and more into street fighting and robbery. After almost 10 years of owning the streets of Birmingham, they attracted the attention of the Birmingham Boys. When they got greedy and made their way into the race tracks, the Birmingham Boys put a stop to the gang. The families in the gang mostly left for the country, distancing themselves from the other, larger gangs. There was more than one reason that the gang disappeared, however. The police got stricter with the gangs at the time, and the social circumstances were starting to change around this time as well- especially once the war started.

I have had so much inspiration from the costumes on the show, and after looking at the actual gang members I see why the costumes are so interesting! My outfit is a mens shirt from Van Heusen, my Bomb Girl Trousers, and DSign Step shoes. The photos were taken in Calgary, in one of the oldest areas of the city. These houses are Edwardian Row houses, called the Fairey Terrace, and was inspired by Victorian row houses in London. 

If you would like to learn a little bit more about Fairey Terrace in Calgary, click here. If you would like to learn about the real Peaky Blinders, there is a fantastic video featuring Professor Carl Chinn here. Carl Chinn also has a book about them called The Real Peaky Blinders. You can also read the book that the costume designer and hair department used for the show, Crooks Like Us by Peter Doyle. It has pictures of actual criminals from the time, and is a fabulous reference book.

Thanks for reading!

​~K

Every summer we go to Heritage Park. If you haven't been there before, it is a Living History Museum in Calgary, Alberta. It gives lots of information about Albertas, and Canadas history, and you get to go through different buildings from the area. Most of them are from the late 1800s and early 1900s (since Canada is such a new country, they are pretty much the oldest buildings in this area). Heritage Park has been my favourite place since I was very young, and I always wanted to work there (dress up and talk about history all day? That was the dream!). Growing up has actually made me love going there even more, mostly because I know more about the era than I used to.

This time we decided to get some photos of something that I have made before. I didn't have anything new that suited the surroundings, but I did tailor my 1930s skirt a few months ago and never got photos of it. It fit me okay when I first made it (it was actually the first piece of clothing that I every made), but it was quite a bit too big at the waist, so I took it in about 3 or 4 inches. I wear it so much more often now that it fits nicely, and I am so glad I took it in! The 1930's is one of my favourite eras of clothing for everyday wear, so its great to have another piece for my closet.

The train section of the park I have never seen before- there is an area with a few train cars that you can walk through, and this was our first time seeing them! There is an amazing train museum in Cranbrook, BC that I went to when I was quite a bit younger and it fed my fascination with train travel in the 1800s-mid 1900s. 

Canada has a pretty different history to many other countries, especially European ones. Before the Europeans, the First Nations were here. We don't have much left over from the First Nations because of the Europeans (just like the US). Because the country is so new, the oldest buildings here are the types that would be called retro in Europe. Our history is very much the Wild West that you see in movies. I have always found this fascinating because as a kid I wanted very badly to be a cowgirl. I loved growing up in a ranching and farming area. We still have the Calgary Stampede, which was started in 1912. We also had Nellie McClung, one of the Famous 5 (suffragettes, politicians, and social activists), living in Calgary, and her house now stands in Heritage Park. Emmeline Pankhurst actually came to visit her in Edmonton!

I used to be quite disappointed about our lack of history in Alberta, but over the years I have learned that we have a fascinating history that is not talked about enough. There were so many interesting people who did important things that either lived or came through this area, and many major events happened in just a few hundred years.

~K

To see more photos of the finished collection, click here

The last two outfits of my Mexico Collection! The skirt is a light blue linen made using a 1930's pattern from simplicity. The shorts are a 1960's Vintage Vogue pattern made with the same linen as the skirt, and the corset cover that it is paired with is muslin and vintage lace (it has another post of it here). 

To see more photos from this collection, click here. Thank you for reading, and stick around for new projects coming soon! Plus, I am also almost done editing a video for this collection as well, so that will be up in the next few weeks.

Thanks for reading!

​~K

When it comes to the books in my collection, I have been extremely lucky. I have been given so many books by family friends and other people who have already gone through a costuming or fashion program. 
Out of all of my books (I have quite a few...), these are some of my favourites. There are so many more that I would like to eventually collect (Norah Waugh and Janet Arnold being some of the authors that I have seen are necessary in a costuming library), but I am so pleased with what I have so far.

The books that I use for inspiration and help fall into a few categories. First are the books that are specifically for sewing. Of those, my favourites have to be the American Duchess Guide to 18th Century Dressmaking, Corsets, as well as The Art of Needle Craft. The Art of Needle Craft was published in the 1930s, and a beautiful little textbook! It shows different stitch types, and has helped me with my embroidery products. The American Duchess book has been so popular among historical costumers, and it has so much invaluable information! I wish it would have been out when I made my first costume, since it was an 18th century era dress. Corsets is a book about historical corsets, and how they were made. I haven't so far used any of the patterns, but I am definitely planning to use them, and I love looking through the book for inspiration.

The second category would be the books about history. I have tons and tons of history books, since that is something that I am fascinated by and love to learn about. I narrowed down my favourites to the ones that are more about clothing through the eras. One of my first books about this, and still one of my favourites is The Survey of Historic Costume. This books is massive, and has at least a few pages for pretty much every era. It also shows modern designs that are inspired by history. Another favourite of mine, which is much newer, is my Charles James book. I have many, many favourite designers (Coco Chanel, Dior, Zac Posen, Alexander McQueen, and so many more), but right at the top of the list is Charles James. He had very sculptural designs, and the best thing about the book is that it gives a glimpse into what goes underneath the dress. I also have a great little book about the Regency era. Unfortunately it only has a few pages about the clothing, but the book does talk a little about everything. The next few books could belong in a few categories, but I decided to put it into this one because they do have great bits of information in them. I love the books by Megan Hess, especially Coco Chanel. Along with the information, it has beautiful pictures throughout.

Another category is all of the inspiration books that are just pretty coffee table books. Some of these do have costume photos in (I have tons of movie books because I love movies so much), and others have nothing to do with clothing. Out of all of them pictured, I have a few that I look through a little more often than others. One favourite is the Grand Budapest Hotel coffee table book.It has costume sketches from Milena Canonero, one of my favourite costume designers. I also love Amber Butchart's book on how movie costumes have influenced the fashion world. It includes Marie Antoinette, In the Mood for Love, Moonrise Kingdom, and many other favourite movies of mine. I also am often inspired by interior design books, such as Sibella Court books (Nomad is my personal favourite to look through). Her books are fantastic to look through since her designs are inspired by different countries. I have always been fascinated with places like India and Mexico City, and I love seeing little objects from these places. The last movie book that I look through constantly is the one for Crimson Peak.

The last category is magazines. I love sewing magazines (the ones that come with free patterns are the best), but I also read Porter and Vogue obsessively. 

Where you do you get your inspiration?
~K

I was so inspired by Germany while I was there, by what people wore, the beautiful countryside, and by the stunning architecture and history everywhere. Out of the whole trip, Berlin inspired me the most. Maybe it's because of the difficult near history that the city has gone through (if you know my blog well, you will know that difficult histories are something I try to teach about often), and maybe it's the gritty mixed with elegant that you see so often- Belle Epoque architecture layered with graffiti, a delicate skirt paired with a grunge-styled wool jacket.

Something that I immediately think of when it comes to Berlin is the military. I think of tough, strong women (it is a fact that Germany was pretty much rebuilt by women and immigrants after WW2, since they were all that was left), and resilience. I started to come up with the collection on the U-Bahn, and it grew in my head every time I had empty time to think (mostly on trains). I decided to make a military inspired collection, with feminine touches. After taking into account what I could reasonable pattern on my own or what I already had patterns for, as well as what materials would be easy to find or that I already had, I came up with a pretty solid collection. It includes: a pair of jodphurs, a 1930's styled skirt, a peplum blouse, my 1940's dress (that I blogged about here), and a matching suit jacket.

Most of these pieces are 1930s and 1940s styled, with a touch of 50's flair. These are the eras that interest me the most for the country- in the beginning of the 1930's, Berlin was far ahead of many other countries in terms of acceptance. But I will start before that, after the first world war, to explain the country a little bit better.

After Germany's loss of World War One, their economy and pride was crippled. Because of the Versailles Treaty, which entailed that Germany's borders would be reassigned (losing certain towns to Belgium, France, Poland, etc), they would practically lose their military, completely lose their colonies, and were prohibited access from certain weapons. What crippled Germany the worst was their responsibility to pay for the war, as well as other financial obligations. The country was struggling enough with their debt from the war, so when the Depression hit the US (who was helping them pay off their debts), the ripple was incapacitating. This is how Hitler managed to get in to power- the weak country was desperate to have jobs and pride. However, before Hitler wormed his way in, Berlin was a very open place. This is the city that held the first successful sex reassignment surgery (if you have seen The Danish Girl, that is who I am talking about). This was a very liberal place before the Nazi's- if you are interested in this era, Robert Beachy has a book called Gay Berlin that I have heard very good reviews about.

With my collection, I wanted to talk about all of the strong women in this time. I wanted it to be about the women who rebuilt the country, and the ones who made their way across the Wall even though it was incredibly dangerous, and the ones who rebelled against the Nazi's during the second world war (you may be surprised at how many female spies and resistance members there were).

Because the Nazi's wanted women to be at home having kids and cooking, they didn't quite expect women to be fighting in the resistance. This gave them lots of opportunities that some of the men didn't have. They could smuggle things around the country (such as letters and funds- often hidden in skirt hems and heels), as well as go undercover to find out information. Because it wasn't expected, they weren't caught as easily for a long time. 

There is a story of a French resistance member that I always think of when I think of the women during the war (this is from A Train in Winter, just in case you want to hear more about this woman). She had a letter that she needed to carry from one resistance member to another, and she had to go out into the country to bring it to the next member. On the train, she was sitting beside a Nazi officer, and he took a bit of a shine to her. When other officers boarded the train to search the people on board, he told them that they did not need to search her, probably saving her and the letter in the process, without even realizing it.
There are so many amazing stories like this of peoples bravery during the war. Stories of women walking for miles in high heels and nice dresses to smuggle things around Nazi Occupied territory, and people who helped so many Jewish, Roma, and other people who were being persecuted to get out. Many designers and seamstresses were found to have been housing people to help them on their way out, or sewing in money, photos, and other valuables into hems for them.

If you want to read about some of these incredible stories, or if you are just interested in this time in history, here are some of my favourites: The Librarian of Auschwitz ( a true story that I actually read in Germany), A Train in Winter by Caronline Moorehead (a collection of stories of women resistance members- these stories are amazing), The Scent of Secrets by Jane Thynne, every single one of Elizabeth Wein, but especially Code Name Verity and Rose Under Fire (and also Black Dove, White Raven), Violins of Autumn by Amy Mcauley, Salt to Sea and Between Shades of Grey by Ruta Sepetys, and of course The Book Thief. When it comes to movies, I would recommend Generation War (a German mini series, which is beautifully done), X Company (this is Canadian, which I am very proud of!), and The Danish Girl (the movie that is about the first successful sex reassignment surgery). I have spent most of my life reading about Germany, and specifically this era, so if you would like to hear about more books and movies, just ask! I would love to share, and also hear about any of your favourites!

The pictures were taken by a 1948 plane. A family friend owns it and was so kind to let us use it for photos, and we even got to fly in it! Thank you so much Travis and Brenda!
And the shoes are from DSign Step, as always:)

~K

Stay tuned for my making of video!

I am extremely close to being finished a new collection that I have been working on since I got home from Germany- The Berlin Collection. My trip gave me so much inspiration, and as soon as I got home I started with a military, menswear, 1940's styled collection. I thought that while I finish off the last piece, I would share some of my inspiration. I will talk about it more in my post with the photos, but I based the collection mostly off of the resistance and rebels of World War Two, and the women who rebuilt Germany. I wanted to focus on the strong women that I learned so much about while I was there.

I hope you enjoyed a little look into the inspiration for the collection! I can't wait to show you what I have been working on over the past weeks.

~K

The more that I have been working on my sewing, and the more opportunities that I have had meant that I needed a little more help in the studio. After lots of research (mostly done by my mom), we decided on a Janome. My sewing machine is also a Janome, and I love it- I find it very easy to thread and work, and it can sew through almost anything. The sewing machine I have has also last for years- it was my moms before I started sewing. When we went into the shop, I was looking for a smaller machine (I don't want all of the extra details, or a computer panel, just the basics). There was another machine that was a little smaller, and cheaper, but it was a manual threader which is much more difficult and takes more time. This machine (which is the Pro 4DX), is a model that they have been making for years, is very easy to thread, and has fantastic reviews. I am so excited to have this extra piece in my sewing room, I know that it will help me so much! 

Because I got this extra piece, I needed a place to put it. My sewing machine sits on top of a beautiful old sewing machine given to me by a family friend. It is an old Singer machine that I am hoping to get it to work so I can sew some things on this machine (which is from the early 1900s). Unfortunately, I didn't have the table space on it to fit another machine. Luckily enough, we just happen to have another old Singer machine in the house. Ours is a slightly different make, but just as beautiful, and I am so excited to have it in my sewing room (I used to pretend to be sewing on it all the time when I was a little girl, so dreams are coming true here). 

While we were in the city, I also picked up a few patterns. I am so excited about these, as I will be using all of them to build up my wardrobe (I have the hope that my whole wardrobe will be made by me except for sweaters, shoes, and such). I even have the fabric for pretty much all of the projects that I have planned, so hopefully they will be quick to finish!

I have been planning a Mexico dress for a long time, and I finally have a set plan for it! I originally was going to do a tiered skirt with a white blouse (similar to an outfit that my grandmother has a picture in when she lived in South America). When I found this pattern from Vintage Vogue, I thought it was perfect. It has the tiered skirt look that I wanted, but with a twist. I am planning on printing my own cotton to make this with, with the skull (like a sugar skull), and a rose in bright colours.

The next pattern that I got I have been admiring for years. I actually had planned to make this for graduation last year, but I ended up buying something and altering it instead. When I saw the Vogue sale at the fabric store (which is why all of these patterns pictured are Vogue), I thought that it was the perfect time to get this one. I haven't decided what fabric to use for it yet (silk to make it fancier? Or wool suiting for more of a winter style? Or perhaps muslin for a summer suit?), but I am very excited to make it, and I am hoping to make a few different versions of it.

This is another one that I have been planning for a long time, however I had not chosen out a specific pattern for it yet. When I saw this, I thought that it would be perfect! I have been wanting a nice pair of cigarette style trousers for years, and when I picked out this wool suiting from Bhatia, I thought it would make an adorable pair. I had originally planned to use the wool for a cocoon coat, but I decided that I would use these more often. I also would like to make a linen version of the shorts for this summer.

This pattern was a little bit of an impulse buy. 1940's patterns are a bit of a soft spot for me (I love the interested details, and how they managed to use as little fabric as possible while still using interested seam lines and such), plus the dress with the full sleeves reminded me of the Fendi ad that I think is stunning.

The last pattern that I got a few days ago came free with a sewing magazine. This one comes in a few lengths and sleeve lengths, and I thought that it would be perfect for a Wes Anderson styled dress. I chose a coral cotton to make it out of, and was inspired by Suzy from Moonrise Kingdom.

I also have a few patterns coming in the mail- the dirndl dress from Patterns by Gertie, as well as a few Vintage Simplicity patterns. Two of those are 1960's mod styled dresses, one is a 1940's skirt suit, and the last is a pattern for 1930's tap pants and bralette.

Other than shopping, I have been getting lots done. I won't share the majority of what I have been doing yet until I get photos, but I will give you a sneak peak. I also altered my 1930's wool skirt, since it was large at the waist. It was a quick fix, but I have been putting it off for months since alterations aren't my favourite. There are a few more things I need to alter, so I am hoping to do that soon.

~K