Well, not quite at the Stampede... but at a Stampede breakfast:)
I finished this corset cover a month or so ago, and it has been sitting on my dress form since. The side seams are sewn by machine, and the rest is completely done by hand. The lace is vintage and given to me by a family friend, as well as the buttons.
Calgary Stampede is always a fun time of year around here, so we thought it would be fun to get pictures of this at the pancake breakfast! Unfortunately they normally have hay bales, but they didn't have them this year. But I think the pictures turned out well anyway!
I have loved the look of corset covers for years, I love the shape and detail of them. While mine is relatively plain compared to some historical examples, I am so glad that I was able to use the beautiful lace that I was given.
Corset covers were usually made of thin fabric to fit under a bodice, and weren't fitted for much of the 19th century. They were lavishly decorated with lace, ribbons, pin tucks, and embroidery. They were normally light colours as well, to make sure that they didn't show through under sheer bodices. They were made to help smooth the lines from boning in corsets, or were used in the summer like undershirts to go underneath sheer muslin dresses.
The hardest part about sewing is that I can get lots of things done, but it doesn't look like it until I have photos of them! In the past few weeks I have been working on tons of different projects, but I don't have any of them finished yet (although two are almost done!). I have also had a few very neat opportunities to do something a little different, so my sewing room has been pretty crazy.
I do have a few very exciting things that I have been working on behind the scenes: the first is that I have been making prototypes for a Calgary activewear company called Intuitive. It has been an absolute joy so far working with the company, and I am more than excited about this collaboration.
The second thing that I have been working on is my second time working with MakeFashion! Last year I was a part of the runway show in Calgary as a seamstress. This year I am lucky enough to be a team lead. My dress is called Breathe, and has to do with helping with anxiety and mental illnesses. MakeFashion will be at Beakerhead this year in September. I can't wait to tell and show you more!
On the side, I have also been working on dirndls (I made one from a Gertie pattern, liked it so much that I immediately started a second one!), a tiered 1950's summer dress, wool cigarette pants with a matching sheath dress and blazer, a 1960's colour blocked dress, and lots of repairs. My mending pile has gotten out of hand!
If you follow me on instagram (here), then you will know that I have also been working on setting up an Etsy account. So far I have hit pretty much every obstacle possible (why are computers so confusing??), so it still isn't up....
But I have made progress, so it should be here soon! I will be selling some of my costumes, as well as embroidery to start.
Thank you so much for your patience with everything, I can't wait to show you all of the things that I have been working on!
I made a second dress inspired by In the Mood for Love by Wong Kar-wai quite a while ago. The first dress that I made (more photos here) was made using a pattern from Patterns by Gertie out of a quilting cotton for more of an everyday look, and I decided that I wanted another, fancier version. I love how this pattern fits me, and I think it looks so similar to the beautiful dresses that the main character, Su Li-zhen, wears in the movie.
The first In the Mood for Love styled dress that I made I just realized recently that I had only posted a video of the making of the dress, as well as a few posts on my instagram (here). I later realized that I didn't even get any photos of this dress once I finished it! Which is funny because I wear both of these in my everyday life quite regularly.
This dress is shaped with 12 darts with a slit in the side, and I used a silk dupioni for this version.
Thanks for reading!
I filmed a large portion of the process of making the Berlin Collection. To see more photos, you can see them here
I was so inspired by Germany while I was there, by what people wore, the beautiful countryside, and by the stunning architecture and history everywhere. Out of the whole trip, Berlin inspired me the most. Maybe it's because of the difficult near history that the city has gone through (if you know my blog well, you will know that difficult histories are something I try to teach about often), and maybe it's the gritty mixed with elegant that you see so often- Belle Epoque architecture layered with graffiti, a delicate skirt paired with a grunge-styled wool jacket.
Something that I immediately think of when it comes to Berlin is the military. I think of tough, strong women (it is a fact that Germany was pretty much rebuilt by women and immigrants after WW2, since they were all that was left), and resilience. I started to come up with the collection on the U-Bahn, and it grew in my head every time I had empty time to think (mostly on trains). I decided to make a military inspired collection, with feminine touches. After taking into account what I could reasonable pattern on my own or what I already had patterns for, as well as what materials would be easy to find or that I already had, I came up with a pretty solid collection. It includes: a pair of jodphurs, a 1930's styled skirt, a peplum blouse, my 1940's dress (that I blogged about here), and a matching suit jacket.
Most of these pieces are 1930s and 1940s styled, with a touch of 50's flair. These are the eras that interest me the most for the country- in the beginning of the 1930's, Berlin was far ahead of many other countries in terms of acceptance. But I will start before that, after the first world war, to explain the country a little bit better.
After Germany's loss of World War One, their economy and pride was crippled. Because of the Versailles Treaty, which entailed that Germany's borders would be reassigned (losing certain towns to Belgium, France, Poland, etc), they would practically lose their military, completely lose their colonies, and were prohibited access from certain weapons. What crippled Germany the worst was their responsibility to pay for the war, as well as other financial obligations. The country was struggling enough with their debt from the war, so when the Depression hit the US (who was helping them pay off their debts), the ripple was incapacitating. This is how Hitler managed to get in to power- the weak country was desperate to have jobs and pride. However, before Hitler wormed his way in, Berlin was a very open place. This is the city that held the first successful sex reassignment surgery (if you have seen The Danish Girl, that is who I am talking about). This was a very liberal place before the Nazi's- if you are interested in this era, Robert Beachy has a book called Gay Berlin that I have heard very good reviews about.
With my collection, I wanted to talk about all of the strong women in this time. I wanted it to be about the women who rebuilt the country, and the ones who made their way across the Wall even though it was incredibly dangerous, and the ones who rebelled against the Nazi's during the second world war (you may be surprised at how many female spies and resistance members there were).
Because the Nazi's wanted women to be at home having kids and cooking, they didn't quite expect women to be fighting in the resistance. This gave them lots of opportunities that some of the men didn't have. They could smuggle things around the country (such as letters and funds- often hidden in skirt hems and heels), as well as go undercover to find out information. Because it wasn't expected, they weren't caught as easily for a long time.
There is a story of a French resistance member that I always think of when I think of the women during the war (this is from A Train in Winter, just in case you want to hear more about this woman). She had a letter that she needed to carry from one resistance member to another, and she had to go out into the country to bring it to the next member. On the train, she was sitting beside a Nazi officer, and he took a bit of a shine to her. When other officers boarded the train to search the people on board, he told them that they did not need to search her, probably saving her and the letter in the process, without even realizing it.
There are so many amazing stories like this of peoples bravery during the war. Stories of women walking for miles in high heels and nice dresses to smuggle things around Nazi Occupied territory, and people who helped so many Jewish, Roma, and other people who were being persecuted to get out. Many designers and seamstresses were found to have been housing people to help them on their way out, or sewing in money, photos, and other valuables into hems for them.
If you want to read about some of these incredible stories, or if you are just interested in this time in history, here are some of my favourites: The Librarian of Auschwitz ( a true story that I actually read in Germany), A Train in Winter by Caronline Moorehead (a collection of stories of women resistance members- these stories are amazing), The Scent of Secrets by Jane Thynne, every single one of Elizabeth Wein, but especially Code Name Verity and Rose Under Fire (and also Black Dove, White Raven), Violins of Autumn by Amy Mcauley, Salt to Sea and Between Shades of Grey by Ruta Sepetys, and of course The Book Thief. When it comes to movies, I would recommend Generation War (a German mini series, which is beautifully done), X Company (this is Canadian, which I am very proud of!), and The Danish Girl (the movie that is about the first successful sex reassignment surgery). I have spent most of my life reading about Germany, and specifically this era, so if you would like to hear about more books and movies, just ask! I would love to share, and also hear about any of your favourites!
The pictures were taken by a 1948 plane. A family friend owns it and was so kind to let us use it for photos, and we even got to fly in it! Thank you so much Travis and Brenda!
And the shoes are from DSign Step, as always:)
Stay tuned for my making of video!
Earlier this year, I made a wool dress or my sisters formal. This dress is made from the same pattern that I made my moth dress, just with the neck yoke.
I am completely fascinated with moths, and after seeing Crimson Peak, I got the idea to use a print on one of my dresses. In Crimson Peak, one of the running themes is the black moth versus the butterfly.
Since watching that movie, I was very interested in moths. I love how hearty they are, and also how beautiful they can be. While butterflies are the well known pretty insect, moths can also have beautiful, colourful wings.
My fascination is a little bit darker than them just being pretty and tough. The theme in the movie (if you are not familiar with it) is that the main character is a butterfly, while her husbands sister is the moth- she is the villian in the movie.
I loved the theme, and also the visuals of the giant black moths on the walls of the mansion.
I also love the scientific illustrations of insects, and specifically of moths and bees. This is where I got my idea to stamp the fabric with moths, and I got the pattern from the wallpaper in Crimson Peak. Guillermo del Toro wanted the main theme to be throughout the whole movie, even where you don't notice it. So the moth is on some of the wallpaper, engraved on chairs and furniture, and in many other places, such as embroidered on clothing. I liked how it was there but not completely obvious, so I took the pattern from the movie to stamp onto my dress.
We went into Calgary to get the pictures, so while we were there I picked up another pair of DSign Step shoes (since I love my other pairs so much). We went into Inglewood to get the pictures for this dress, which is the oldest area in Calgary.
The dress is made from a Vintage Vogue pattern from the 1950s, and the fabric is a cotton blend.
Stamps and photos by Veronica Funk
After finishing my Through the Looking Glass dress, I wanted a bit of a break from sewing. When I was younger, I always was working on different crafts, and many of them included some sort of fabric or fiber. Over the past week or so, I have been experimenting with some things that I used to do, and other things that I haven't tried but have been intrigued with.
The first thing that I have been playing around with is something that I rediscovered this summer- embroidery. I had dabbled with embroidery quite a few years ago, and lately I have been enjoying it again. I did a piece for my Frankenstein dress in October, and a tree during the summer for a collaboration with a writer, so I decided to make something for my Curiosities collection. I have been making a pair of moths to go on shoes for one of the dresses, and lungs for a different dress, and I have plans for other pieces as well!
One of my other crafts is fabric stamping. I have done it twice before, once for my Frankenstein dress and once for my Bee skirt, and both times I loved how they turned out. I decided to try it again for one of the dresses in my collection, and I am so pleased with how it turned out.
I also rediscovered my fascination with weaving. I got a small frame for Christmas a year or two ago, and after making a square and a half of fabric on it, both of which had terrible tension (that's why I don't knit...), I decided to play around with it again. So far I am loving how meditative the whole exercise is, and I am hoping that my tension improves!
The last thing that I have been playing around with over the past bit is felting. I have never done felting before, but it has always interested me. I got a pack from Michaels that included a needle, mat, and wool to try it out, and so far have made three moths and am planning to make many other things. This is another very calming hobby, and I am so glad that I have tried it out. Keep your eyes peeled for felted broaches and critters on my costumes- I don't think I will be able to keep myself from adding bugs to all of my projects now that I have discovered that I can!
Over the next few weeks, my blog will be a bit quiet since I am leaving for Germany on March 9. I will be sure to write up a post or two of my travels, but while I am gone, be sure to check out my instagram, where I will be posting much more regularly.
A bit of my process for the making of the Through the Looking Glass dress. I will be posting a video of each piece of the Curiosities collection, so keep your eyes peeled! My Youtube channel is here if you want to see more of my videos.
When I started this collection, I was inspired by the darker aspect of the Victorian Era. When it comes to costuming, it is very easy to see the beautiful parts of history, especially when your research focuses more on fashion plates and patterns, which it normally does when researching a dress. While I love seeing the lovely parts of history, I am more fascinated by the darker parts than anything else. As you have seen before (especially in my Frankenstein dress), I have a dark side that I love to mix in to my costuming. I have made quite a few costumes that were purely historical and as pretty as I could make it, but I have decided that I should make them more in my style, rather than just historically accurate.
I love the taking historical silhouettes and ideas and making them a little different, and a little bit darker. I had mentioned in a previous post about some of the things that inspired this collection. I made four dresses, each one representing another dark side of the late 1800s. This first one that I made, which I called Through the Looking Glass, was inspired by the drug issues that were so prevalent in this era. Opium was a huge problem in the late 1800s, with Opium Dens available all around, especially in large cities like New York and London. In the US, it was the Civil War that started many addictions. Most also didn't realize how addicting the drug was, so doctors prescribed it for many nervous conditions as well as for pain. Those who didn't have money for a doctor were able to buy it from a pharmacist to solve any medical problems. Opium wasn't the only highly addictive drug wandering the streets- such as laudanum and cocaine. Arsenic and other dangerous (and poisonous) ingredients were readily available.
To make things a little worse, doctors did not know how to treat addiction at the time. Hospitals would sometimes get them addicted to a different drug in an attempt to wean them off of opium, or whatever other drug was the issue, and the patient would end up with a few addictions instead of just the one. This may be a familiar concept if you have watched The Knick. The Knick is a show set in the 1890s following surgeons in a New York hospital. It is based on a true story, and the main doctor (John W. Thackeray) is based off of one of Americas Founding Fathers of surgery and medicine. Thackeray is based on William Halstead. Halstead had a rather unfortunate life, but did incredible things for modern surgery!
In a time when surgery had a mortality rate of close to 50%, Halstead brought in sterile gloves, developed radical mastectomy, carried out the first ever successful hernia and aneurysm repairs, as well as the first emergency blood transfusion, and brought in washing hands before operations. Halstead was originally addicted to cocaine, and ended up being checked into a hospital to get his addiction under control. They introduced him to morphine, and he lived the rest of his life addicted to both. His wife, a nurse, was also addicted to morphine.
Morphine and other opiates were incredibly easy to get your hands on- morphine and cocaine injection kits (with newly invented syringes) were available in the Sears catalog. Herione was known as a remedy for morphine addiction, and one philanthropic society mailed heroin to a group of morphine addicts. Cocaine eventually was replaced by methamphetamine and amphetamine, which was used for asthma. Many countries used amphetamine during World War Two to keep pilots and soldiers awake.
Through the early 1800s, most of the opium coming to Britain was from Turkey. It was known to be stronger, and its popularity only dropped in the 1870s and 1880s for Persian import. The opium was known as a cure all, and used as such by doctors and anyone needing pain relief, etc. It was also used to quiet fussing babies, mixed with water and treacle. It occasionally resulted in deaths, and often in illnesses. Raw opium could be bought as pills or sticks, and it was used normally for women more often than men. Medications containing opium were called 'women's friends' since it was taken for 'female troubles' (menstruation and childbirth), and 'female maladies' (hysteria, depression, fainting fits, and mood swings).
Cocaine was discovered in 1860 from coca leaves, but it wasn't available for commercial use until the 1880s. However, in 1863 a chemist named Angelo Mariani came up with a tonic that used coca leaves. It was advertised to solve everything, and could be taken like a daily vitamin. The tonic was praised by Queen Victoria and Rudyard Kipling, as well as others. In two glasses it is believed to have contained 50 milligrams of pure cocaine.
The drug problem in this era affected every part of society. It wasn't actually realized to be a problem until 1920, when the Dangerous Drug Act came to be in Britain.
Ripper Street has been a show that I have been inspired by for this collection, and The Knick has been another inspiration. If you would like to read more about how modern medicine was started in this era, Lindsey Fitzharris has a fascinating new book out called The Butchering Art, based on the surgeon Joseph Lister's life and success in modernizing surgery. If you would like to see the images that have inspired the collection, I have a pinterest board here (all of the images are dresses. I have very dark and gruesome information that I have found through research, but I promise there are no bad images, just pretty things!). I will recommend other books, movies, and TV shows that I have gotten information from for each of the dresses. For the Jewel dress I will talk about prostitution, especially in Britain, through the late 1800s, and for the other two gowns I will talk about circuses and sideshows, and death practices in the 1800s. Most of my information focuses on London, since that is what I am most interested in, but it also moves around to New York, Toronto, and other large cities with dark underbellies.
I chose the name for this dress (Through the Looking Glass) based off of the author, Lewis Carroll. Although there is much debate, Alice in Wonderland is well known as being a drug-induced dream, so I thought that would be a perfect name for the first Dark History.
Since my Curiosities collection is based on the 1880s, I have most of my undergarments for them from my Frankenstein dress. The only things that I have had to make to go under these dresses were a bustle cage and petticoat. I could have used the bum pad that I made for my Frankenstein dress, but I wanted a more dramatic silhouette, and I have always wanted to make one. I talked about making the bustle cage in the last post, and once that was done I draped a petticoat over it. It is just muslin pleated onto a waistband with a lace bottom.
So far I have made two of the skirts, both of them are very simple. They are draped in the same way as the petticoat, I just draped them over the bustle and sewed them to a waistband.
I have been filming the progress of each of the pieces so far, so I don't have many pictures. I will put out the video once I have pictures of the final products.
I finally started on my newest project- a collection of bustle dresses! I was inspired by many things for this little collection of (hopefully) four dresses, the largest inspiration being photos from the circus throughout the ages, especially the 1880s. I also have been inspired by my tarot cards (by the artist Nicoletta Ceccoli), as well as the show Ripper Street, and some of the strange vintage photos found online. I have talked about this collection before, in my Plans and Fabric Haul video, and have finally decided on a name for the collection- Curiosities.
The first thing that I needed to make to before I started the dresses was a bustle cage. I made a bum pad for the last bustle dress that I did, but I really wanted to make an actual bustle cage, so I decided to use the American Duchess pattern for panniers, but I just made one instead of two. I also made the pattern about 4 inches smaller since my panniers are quite large.
Next up- the dresses! I've decided to start with one that is based off of Alice in Wonderland.
I finally finished my 1950's styled bee skirt. I printed the bees onto a striped fabric for this project quite a few months ago, however I did not get around to making it until Christmas time.
This was made with the same McCalls pattern as my scissors skirt (photos here) and a cotton fabric. This is a very simple pattern, but I love how it looks, and it is easy to figure out fit.
This year was a really huge one for me, especially when it comes to my sewing. I started this blog just a little over a year ago with my Special Project in school, and it has grown very quickly with all of the projects that I have been working on. I also started a makeup and skincare part of the blog (and an instagram here) after I started working at a beauty counter to share about some of the things I have learned through training sessions. When it comes to my sewing, I have grown quite a bit in the past year! I started the year with finishing my Special Project, which took me a semester to make. Not long after that, I started working with MakeFashion. I started out just helping, and ended up making a dress with the help of an engineer! It was hectic and crazy and I loved every minute of it. I also got to go to Mexico with my family this year, celebrated a one year anniversary with my boyfriend, graduated from high school, got accepted into Olds College Fashion Program, got a job, made a dress for a televison pilot, and finished 16 projects (some of which I haven't blogged about yet). I would say that was a pretty successful year! Here is my year in photos:
And a quick sneak peak of a project that I haven't posted about yet:
Heres to another great and productive year! I can't wait to see whats in store for me
I finally finished editing my video on the In the Mood for Love Dress. I filmed pretty much the whole process of me making it, from cutting it out (using a pattern from Patterns by Gertie) to the fnished product. The music is La Valse d'Amelie by Yann Tiersen and Chris Snelling. If you want to see more of my youtube videos, my channel is here
Thanks for watching! I will put up more photos of the finished dress in a post next week