A few years ago I stumbled across three of the most incredible ensembles: a wool wedding suit from the mid 1910's, a 1920's/30's lace evening gown, and a 1940's wedding dress. Out here in Alberta, we don't find that much vintage clothing from these eras, and especially not for the price that I got them at!
Originally I was just going to bring home one, but they were all not being properly taken care of (such as the silk skirt of the wedding dress being Safety Pinned to the hanger...). It was nearly painful to see these stunning pieces of history stuck in a place that had no idea how to take care of them, so I took them home and started researching how to take care of delicate, old clothing.
The longer that I have them, the more glad I am that I picked them up. Even if I never was able to wear them or show them to another soul, they have been able to give me a world of information about how clothing was drafted and made in these eras.
This wool wedding suit no longer has a lining (whatever is left of it is shredded on the inside), but the rest of it is in fantastic condition! This suit has some of the most gorgeous details on it, and the classic silhouette of a World War One women's suit. I obviously am not doing it justice, since I don't have the proper undergarments on, but I couldn't help but get photos before I put together the proper underpinnings.
This next ensemble is my favourite out of the whole lot. The 1920's and 30's have always been one of my favourite eras clothing-wise, and it is extremely rare to find here. Alberta was devastated by the Great Depression, so any clothing from that era was mostly worn completely through.
This soft pink evening dress came in three pieces: a silk low-back slip to go underneath, the lace dress, and a matching lace bolero. The bolero is so beautiful with the dress, but it is so delicate that I decided not to put any stress on it.
This dress has a side closure of snaps, and a much fuller skirt than you can see here. It moves like a dream! I was thrilled when it fit me so perfectly for photos.
The last piece that I managed to grab - the 1940's wedding dress - is in the best condition out of them all. The lace has no tearing or holes in it at all, and the silk skirt is perfect. It also came with a wedding veil, which was in worse condition so I didn't take it out of the box.
Have you ever found any wondrous vintage finds that you just couldn't leave behind?
I realized quite a while ago that while I have posted multiple photos of this dress on my instagram and made a video for it, I never actually posted all of the photos that we got in Banff! Since I have time on my hands now, I thought that this was a perfect time to catch up.
This dress was made from a beautiful quilting cotton with hints of gold in it, and I used a Patterns by Gertie sewing pattern for it, with a few adjustments for fit.
The wave dress is one of my favourite dresses that I have made myself, and one of the ones that I wear the most. It is from the same pattern that I made my Su Li-zhen dress with, and I love how comfortable it is in cotton.
I loved the photo shoot a little bit less... not because of how it turned out (Banff is one of my favourite places to go, and I love the mountains in the background of these images), but because of how cold it was! This is obviously not the first time that I've worn a dress for warm weather during Canadian winters for pictures, but this one you can really tell thanks to the 'arms very close to my body at all times' pose that I used.
We go these photos at the same time as my Green Rococo era dress, just earlier in the day.
Funnily enough, that last time that I was in Banff was just before everything happened with the pandemic, so it has been very nice going through these old images!
We made it! This is my last details post of my eco couture collection that I designed, drafted, and sewed for the Future Oceans Fashion Show that was held in Victoria, BC on Canada Day (anyone sick of hearing about this event yet?).
If you want to read and see more about the event and the other garments that I created for it, you can check it out here.
For the sake of not repeating myself a million times and making each post longer than necessary, I'm going to assume that you know about Future Oceans and go straight into talking about the last two garments in my little collection.
The first dress I'm going to talk about today is the first dress that I actually created for the show. I designed all of the dresses in the winter, but I didn't start patterning or sewing any of them until May.
I'm not sure if I was procrastinating or if my reasoning is solid, but I chose to avoid creating any patterns until I got the fabric in. I bought my fabric from a sustainable material brand that is run out of Canada, but it still took a bit for the fabric to arrive. It was insanely exciting when it did come in, and I was hit with lots of inspiration to pattern draft after I saw it.
The 1960's dress was an easy pattern to make, which is why I started with it. I wanted to ease myself in a bit, and this was a great way to do it. It was also pretty simple to sew, since it's such a simple silhouette.
This dress is made out of organic cotton sateen (for the yoke. This is the same sateen I made the 1940's dress out of) with a sustainable linen. This linen is so floaty and wonderful to prance around in. The entire dress is lined, and it features pockets hidden in the side seams. The linen is hand stamped, like almost all of the other garments in my collection.
I was inspired by trapeze dresses from the 1960's. It was an added bonus that this shape of dress is very easy to fit to different shapes and sizes, so it was very easy to find models to fit it for the show and the photoshoot the next day.
I used to hate 1970's fashion. I can now admit that I absolutely love it now. Blame Wes Anderson.
Opposite of the 1960's dress, this is actually the last dress that I made for the show, and it was designed about 5 minutes before I made the pattern for it. The original collection was supposed to start at the 1930's and go to the 1960's, so this dress and the 1920's one were last minute additions when I realized that I had extra time and material on my hands.
This dress was quick, dirty, and fun to make. The drafting of the pattern was relatively easy and so was putting it together. Printing the pattern on it was tons of fun as well since I got my mom to make me a special stamp for it (my mom is the one who creates all of the stamps that I use to print my fabrics). The pattern is paisley and turtles in a coral on blue cotton gauze. I loved working with the fabric when I used it for the 1950's dress, and it takes fabric ink really nicely.
When I thought about making a dress inspired by the 1970's I was torn between making a maxi or a mini dress. The choice was made purely out of convenience in the end - I wanted it to have puffy sleeves, and if I wanted enough fabric to make that it had to be a mini.
I had so much fun making this dress, and I'm thrilled with how it turned out.
Both of these dresses are currently for sale at the Future Oceans Boutique at the Victoria Bay Center and online at the Future Oceans website! You can order either one of these dresses or a skirt (check them out here) and get it made to your measurements!
Thank you for your support!
Last week I focused on two pieces that are a part of my eco couture collection for Future Oceans. If you want to read more about Future Oceans (the fashion show, the garments I made for it, or some of the process while I was preparing for it) you can see more here.
This week I wanted to look at some of the detail and design process for the dresses that I made that were inspired by some of the best decades in fashion - the 40's and 50's.
I have always loved the fashion of the 40's, and I've already made quite a few pieces inspired by the era. The thought process behind this dress included much more than just what design elements I liked from the era though, since I had to take into account what type of fabrics were available for me to use, how much time I had to make it, and what kind of shape would be the most convenient to make when I wasn't sure who was going to be wearing it.
One of the most difficult aspects of designing and making garments for fashion shows is not knowing who exactly is going to be wearing them. Quite a few of the pieces that I chose to make for fashion shows have been designed to be more suitable for many different shapes, and sometimes sizes. This dress was one of the later pieces that I added, meaning that it got tacked on after I finished most of the other ones. I had some time and the material to make something else. Originally, I wasn't sure if we would have time to show it in the actual fashion show, so it was a backup that I might have worn behind stage. We did end up having the time for it, and I'm so glad because I was thrilled with how it turned out.
This dress is made using an organic cotton sateen with a tiny bit of stretch to it. Having that stretch made it much easier to fit to multiple different models for the show and the photoshoot the next day. I chose not to have sleeves in the design, since sleeves can restrict who can wear it and make the sewing process much longer.
I adore the apron style dresses of the 40's, so I based my idea off of those. I simplified the idea a bit, and I love how it looks. The cotton sateen has a gorgeous sheen to it, and I'm glad that I didn't add any of the ruffles that are often on 1940's apron dresses.
It's finished with buttons on the crossover back and top stitching.
The fourth dress was the first one that I designed way back in January. This is a 1950's inspired summer dress with a front button closure and a tiered skirt.
I made a dress that had a bit of a similar style for my Summer 2018 collection that I got photos of in Drumheller (see photos here), and I thought that it was so flattering that I wanted to use that silhouette again. This dress is sleeveless for ease of fitting, has darts and gathering to shape the bodice, and has a fully lined bodice. The hem is hand printed in coral to tie it in to the colour scheme that the rest of the collection has.
The silhouette of the 1950's is absolutely iconic, and so flattering to pretty much every single shape and size. I wanted that, but I also wanted my design to be a little bit different from the classic shape that most think of when they think of the 50's. I also wanted this to be the sort of summer dress that was comfortable and easy to wear.
I used an organic cotton gauze for the dress, and the fabric was an absolute dream to work with. It ironed great and is soft on the skin. The dress is finished with hand made clay buttons.
I was so spoiled in Victoria for the fashion show and all of my pieces were photographed by professional photographers the day after the show. If you want to see some of those, check out my instagram here. I will also be posting some of them here once I compile enough of them.
Next week will be my last details post of the 1960's and 1970's dresses from my eco couture line. Stay tuned!
As I promised last week, here is the first detailed post about my eco couture collection for the Future Oceans fashion show that took place in Victoria, BC on July 1st. If you haven't heard about this before, or would like to learn more about the Future Oceans Fashion Show, you can see my other posts about it here.
The first garment that I designed for the collection is inspired by the 1920's (which is one of my favourite decades of style). This dress is a drop waisted gown with a deep V back, knee-length handkerchief skirt, and bloused top. The side panels in the skirt are hand printed by me on a TENCEL twill, which is a sustainable material that I got locally, through a Canadian company. The waistband is an organic cotton sateen.
This entire dress is lined and is finished with top stitching.
I've always enjoyed the aesthetic of the 1920's, but the shape can be difficult to get and make it look nice. The drop waist style can be really unflattering on a lot of shapes, depending on how it's being accomplished. I spent a lot of time on pinterest looking through extant garments from the era, as well as some modern interpretations of them (from movies and tv shows like Peaky Blinders and The Great Gatsby). None of the garments in this collection are meant to be exact replica's of dresses from each era, but more to harken to each decade.
Some of my favourite dresses from the 20's have low backs, so I wanted to make sure to include that in my design. I also love the extra panels that flare out when the wearer is walking. The TENCEL twill has a beautiful drape to it, so I used it for both the 1920's and the 1930's inspired gowns.
The second dress is inspired by the 1930's. This dress has a boat neckline with a deep V back, wide waistband, pleated over skirt, and thin belt. It's entirely made out of the TENCEL twill, so the whole thing is soft and has a wonderful drape to it. All of the peach sections are hand printed by me.
Drafting the pattern for this dress was a fun challenge, as was figuring out how to put it together while also making sure that all of the edges were nicely finished. It took me the better part of an afternoon to draft the entire pattern, and I'm pleased with how it turned out in the end. The bodice is fully lined.
The shaping in the bodice is created from two pleats at the waist on the front, and the back pieces are gathered and meet at the waistband to create a deep V. The under skirt is just a regular straight skirt, similar to what a skirt sloper would look like. I ended up just draping the over skirt instead of patterning it so that I could get as much fullness as I wanted. The hem is shaped to be longer at the back.
I loved designing these garments, as well as all of the other ones in the collection. Next week I will focus on the dresses styled like the 1940's and 50's!
Last month I was lucky enough to be a part of the Future Oceans Fashion show, which was held at the Victoria International Marina in British Columbia on Canada Day. I had an amazing trip (which you can read more about here) and enjoyed working with Future Oceans so much.
Future Oceans is a company that focuses and Eco Friendly fashion, which is something that I am very passionate about. The fashion industry is a huge polluter, and knowing that made me lose some of my passion for my sewing. This opportunity came at the perfect time, and I loved the challenge of trying to make beautiful garments that are as eco friendly as possible.
I have some very exciting news about the next step with Future Oceans: I will be having 'Fashion on Demand' garments at the Future Oceans Boutique in the Victoria Bay Center through September! The Fashion On Demand will be four pieces that I will be making to measure for anyone who orders one.
Each garment was inspired by a different era and hand stamped by me. This first one was inspired by the 1920's, with a low waist and deep V back.
Garment number two was inspired by the 1930's. This also has a deep V back, as well as a gathered over skirt.
This was the only one that I didn't stamp, and was a bit of a last minute addition to the collection. This is inspired by a 1940's apron dress with a crossover back.
Inspired by the 1950's, this dress has a front button closure and a tiered, mid calf length skirt.
This is the first dress that I made for the show, and it's also the most comfortable one! I looked to the 1960's to design it, and it's finished with side seam pockets and is fully lined.
And the final garment in my Eco Couture line is this 1970's styled mini dress, complete with puffed sleeves.
This is just a sneak peak of each of the garments I made for the show, so keep tuned for more photos and information!
I was lucky enough to get a message about collaborating from LAL Couture, a company that makes custom sized and handmade lingerie. It was very difficult to chose which sets I wanted (all of them are stunning, and have such a vintage vibe to them!), and I am so thrilled with the two that I picked.
The first set that I got is the Diane Pajama Set, and the second set is the Susan Lingerie Set
It was so exciting to get these in the mail, and they are so beautifully made! The materials that were used are high quality and feel amazing on the skin.
I also had so much fun getting photos of them, since they both have such a retro look to them.
My summer has been pretty hectic (although thoroughly enjoyable), so this is the first time we have been able to go and do a photo shoot for the last project that I made for school. This is a cotton twill shirt dress that I designed, patterned, and created for a final project for one of my college classes this year.
After going to Victoria for the Future Oceans Fashion Show a few weeks ago (post about that here) I had a week back at home to get used to the idea of not having any important sewing projects for the rest of the summer before driving out to Kelowna, BC with my mom and sister. Kelowna is a beautiful city and we spent a few lovely days there, and I got tons of inspiration for a few new projects. After getting back, I've had a few more days to rest and tidy (my sewing room has been looking a little crazy). Today was kind of my last chance to do a photo shoot for a while since I have lazer eye surgery at the end of the week, and after recovering from that I will be driving out to Manitoba to see family.
Anyway, some information about this dress: I was inspired by military styles as I so often am, but after making it I realized that it also looked a bit like a Safari dress. To go with that theme, we got photos at the zoo. I love animals, so this was a great place to do a quick photo shoot.
As I mentioned earlier, it is made out of cotton twill with a tiny bit of stretch to it. It's a pretty simple design with short sleeves, slight gathering at the front shoulder for shaping, and an otherwise straight silhouette. The extra details are what I spent most of my time on when designing it. The dress has cuffs, a two piece collar, button placket, and breast pockets with flaps, box pleats, and top stitching.
I'm really pleased with how this dress turned out and you should be able to find it on my Etsy shop pretty soon.
Thanks for reading!
The day has finally come that I can talk about the Future Oceans fashion show and the pieces I made for it! I have been waiting as patiently as possible to show what I've been working on, and I am so excited to show the pictures that I have from this weekend.
There were some incredible photographers at the event as well that I will be showing photos from as soon as I am able to.
Before I talk about my designs at the time that I spent in Victoria, I want to talk about the reason for this show. Future Oceans partnered with the Victoria International Marina (where the show was held), Natural Talent Alliance, and the Ocean Legacy Foundation. The point of the show was to give a platform to ocean conservation in the fashion industry. The fashion industry is the second largest polluter, and by bringing attention to it and giving people an alternative we are taking the first step to turning the Fashion Industry into something that is more earth friendly and thoughtful.
Learning about how terrible the fashion industry is on the environment was making me lose my faith in something that I really love. Being a part of this helped me get excited about it again.
I hope that this show will help in getting people and brands to think twice before choosing certain fabrics
The event started on Canada Day with the ribbon cutting for the Victoria International Marina. There was live music, performances by the Nanaimo Contemporary Ballet, and the fashion show.
We had so many incredible people working together to make this a reality!
I created 6 Eco Couture pieces inspired by different eras and 1 Art Dress. The Art Dress was created from garbage that was fished from the ocean. The Eco Couture pieces are all created from eco friendly fabrics from KenDor Textiles, a Canadian company that specializes in environmentally and socially responsible fabrics.
I will wait to talk about the design process of each of my pieces for when the photos come back and you can actually see them in detail (all of these photos are just from my phone), but for now, here are some travel pics!
I was in Victoria for 3 crazy, hectic days that were filled with fittings and photo shoots. The first day I spent almost entirely at the Marina (which is a stunning building) getting ready for the show. We had an amazing lunch at Spinnakers (Canada's first microbrewery), and spent the rest of the day planning and prepping.
We were housed in the most amazing Bed and Breakfast called Abbeymoore Manor. It's an old house with beautiful rooms, the best breakfast I've ever had, and really friendly staff.
The next day that I was there was Canada Day, meaning the day of the fashion show! I've been working on this for 6 months, so it was like a dream to be there.
Luckily enough, the designers weren't needed until noon so I had all morning to myself. I ended up going for a walk to the Craigdarroch Castle, which was a 5 minute walk away. The castle was built in 1890 by Robert Dunsmuir, who passed away before it was finished. His wife, Joan, lived there until her death in 1908. During WW1 it was used as a military hospital, and after that it was used as a College, Conservatory, School Board, and now a museum.
We were able to use a beautiful yacht, the Ascente, as our backstage. They were extremely generous with us and the space was the nicest backstage that I have ever worked in. This was definitely a trip of a lifetime.
The last day that I was there was photo shoot day! And boy, did we have some really incredible places to take pictures in. While a group of people went to get photos at the ocean, I went with another group to the Government House. I can not wait to get all of the photos back from the 2nd because not only are the photographers fantastic, but the locations were some of the prettiest places I've been to since Germany.
The last location of the day was Hatley Castle, which some of you may recognize from movies such as X Men and Deadpool. Everyone here was also so accommodating for us and we were able to go everywhere on the extensive grounds to get photos.
If you aren't from Canada, you might not understand how exciting it is to find 2 castles, but in Canada it is very rare to have such old and beautiful architecture.
I can't wait to show you my pieces in better detail, but in the meantime I hope you enjoyed a bit of a behind the scenes of my time for the Future Oceans Fashion Show!
After much consideration and the realization that I have way too many clothes (the ability to make whatever clothing I desire really adds to that problem...), so I decided to do a huge update on my Etsy account. Going through the photos for each of these made me quite sad to be selling them, but there is no more room in my sewing room closet! I hope that they all go to good homes:)
All of the basic information about the pieces are below the photos, and you can buy any of these, plus more, on my Etsy account here
Enjoy! If you are interested in purchasing any of these, they are up in my Etsy account here
For the next one in my Umbrella Academy series is The Handler! The Handler is very different in the comics than in the show. She has a fabulous 1950's style in the show, with a fascinator, fingerless gloves, and a beautiful A-Line coat. I immediately fell in love with her costume, hair, and makeup when I first watched the show, and I have the urge to make her dress.
Underneath the coat, I wore my pencil dress from last years little Fall Collection (photos here), and the rest are all pieces that I had in my closet already. The coat is from Reitmans, the fascinator I have had for a few years, and the gloves were hand made (not by me). I ended up wearing this little outfit to the Comic Expo in our area since I liked wearing it so much, and I love The Handlers personality.
Netflix recently released Season 1 of The Umbrella Academy, a TV show based off of comics by Gerard Way (from the band My Chemical Romance) and Gabriel Ba. I immediately loved everything about the show after watching about 2 minutes of it. The music is fantastic, the set design is beautiful, and I absolutely love the characters.
If you haven't heard of The Umbrella Academy, it is about 7 kids who were all born on the same day and have different 'super powers', and have been adopted by an eccentric billionaire to be superheros. The show is set when they are all adults and have left the Academy that he set up, and talks about their dysfunctional family.
I am a sucker for stories about dysfunctional families, so this show was right up my alley. I also love the retro style that pops through that is mixed with a bit of steampunk vibes.
After watching the show many times and reading the comics, I have decided to do each of my favourite characters. I just recently (as in a few days ago) finished my courses, so I wanted to do something that was just for fun! I also had a dress that I finished sewing a few months ago that I never got photos of, so I decided to do a bit of a Grace cosplay. Grace is the kids 'mom', a robot created by the billionaire who adopted them. In the show, she has the most fabulous 1950's dresses.
I thought that the pattern on the fabric of this dress was very fitting for Grace since it has sewing pattern pieces on it. This was made from a Vintage Vogue pattern and is a wrap dress with a V back and patch pockets.
I have always enjoyed stopping in Nanton, Alberta as a kid when we were in the area. They are a tiny town with the best antique stores, and my favourite has always been Sentimental Journey Antiques. They are connected to Iron Crow, which is where I got my photos for last years Fall collection.
The building has a very interesting history- it was first opened in 1909 as a hardware store. The upper story was used as a meeting and social hall for different groups in Nanton. It changed hands in 1935, and the new owner added more items in the store and converted the top story into apartments. Pretty quickly after that, the building was used for officers residence during World War Two - there was an aircrew training base close by.
I have always fantasized about living in one of the beautiful upstairs apartments, and learning about its use during the war made me love the quaint rooms even more. I still daydream about where I would put all of my furniture in the apartments if I were lucky enough to live there. We took all of our photos in our favourite rooms in the building upstairs.
The clothing that I am wearing in these photos are the lower torso garments that I made last semester in school. The pants are a 1940's inspired pair of trousers with a yoke, pockets, and front pleats. The skirt is a faux-wrap with a side zipper and a pocket on the other side. It is fully lined with a brown striped lining. Both of the garments are made using %100 wool.
I did not make any of the tops that I am wearing, all of them except for one are from Aerie (and they are all incredibly soft and comfortable). The WAC shirt is from a fundraiser for the SoCal WAC's.
I am a Huge Fan of Wes Anderson. From the first time that I saw Grand Budapest Hotel, I was completely hooked. I enjoy his deadpan sense of humour, the pastel colours, retro vibes, and quirky cinematography. I started watching the movies when I was about 14, and they have hugely influenced the way I dress and my sense of humour. I am a lover of the colours mustard and dusty rose, and every time I see any piece of clothing in a store that could be worn in one of his movies, I am sold. That also means that I am the proud owner of three of his movies (my three favourites: Grand Budapest, Darjeeling Limited, and Moonrise Kingdom), the record of the Darjeeling Limited Soundtrack, and both of the coffee table books that are available through Indigo.
Because of this obsession (yes, I am aware that it is a slight obsession), I thought that a Moonrise Kingdom inspired photo shoot would be amazingly fun to set up. I was right! We gathered up my est retro props, drove into Calgary, and found an adorable green shop to get photos in front of. It was actually pretty freezing, but I loved all of the photos, so this post will be very long!
The dress is made out of a coral cotton with white top stitching. I started this dress almost a year ago, but with so many things happening in a pretty short amount of time, it got put to the side for a few months. It has been incredibly close to being complete for a few months now, with just the hem left to do! I finally finished the hem last week while watching (you guessed it!) a Wes Anderson film. We have been planning this photo shoot for months now, and it felt so good to get to do it!
Wes Anderson films are definitely my comfort movies. When I was in grade 10 and our house was broken into (something that was extremely upsetting to me, for some reason), I watched The Grand Budapest Hotel. At this point, I have seen every single one except for the first (Bottle Rocket). I love the quotes especially, and the reoccurring actors! It is so satisfying to know that Bill Murray and Jason Schwartzman are going to be in the movie that you are about to watch. I am insanely excited for The French Dispatch to come out as well.
The area of Calgary where we got these photos is very close to Peters Drive In, and if you know the area, you will know that it is the best burger joint in the area. So, after getting all of the photos, we Had to pick up a burger. This was a fantastic way to spend a Sunday!
The props that I brought with me are from various sources- the beautiful vintage suitcase was a Christmas gift, and we got it from Iron Crow Antiques. The Nancy Drew novels are both original editions, and the camera was a gift from a friend quite a few years ago. I am very lucky to have all of these things just sitting around the house.
Are you a Wes Anderson fan as well? Which movie is your favourite?
I always find it interesting about who everyones favourite characters are as well, since so many people have such different reasons for their favourites!
Thank you for reading,
Edit: I caved and also bought the coffee table book for Isle of Dogs... expect to see more Wes Anderson inspired quirky things in the near future.
I started a 1960's ensemble almost a year ago, and was completely distracted by the beginning of school. After some issues with the lining and top stitching, I was not motivated to finish it. It has been sitting nicely on a chair in my sewing room until Christmas break, when it was finally finished and we got some lovely photos of it!
This is from a Simplicity pattern from the 1960's, and I made it using coordinating quilting cottons. I think that this pattern looks so much like Barbie clothes from the 60's! I had so much fun wearing it around a new mall that is at the moment pretty empty. The mall had a pretty creepy feeling (it is massive, and only has a few stores in it so far), but I think the photos turned out perfectly! I mix of 1960's fashion and futuristic, Blade Runner style (at least, I think the photo's look a bit like the Blade Runner).
We got these photos on Boxing Day, and they were planned very last minute. We had such fun getting these though!
I am back in school for the second semester, so any extra sewing is on the back burner. I do have my final projects from semester one (a pair of pants and a skirt) which I am hoping to get photos of soon though, so keep your eyes peeled:)
Thanks for reading!